May bank holiday – I like books that tell a story

A long weekend is the perfect excuse for a leisurely Saturday. Today we headed into town for a spot of lunch and a wander around market, and I just couldn’t resist slipping into the Oxfam bookshop on Sidney Street.

After treating myself to a few new books last week, I promised myself I wouldn’t buy anything. I reasoned that I would only go in for a look, just to be around the books for a bit and soak up that great used-book smell. After spending a few idle moments perusing the classic texts I stumbled upon the collectables – truth be told, I was looking for the children’s section, but it seems they’ve rearranged the place since my last visit.

Nestled in amongst some dusty hardbacks by authors whose names I’d never heard, and ancient cook books the likes of which might have graced my Grandfather’s kitchen shelves, I found a well-loved volume of children’s stories.

Children’s Stories From Japanese Fairy Tales and Legends

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I love old children’s books. Our sitting room contains a bookshelf dedicated to children’s literature, where all the old fables and fairytales I was given as a child sit amongst Sebastian’s French Tin Tin comics and several tatty picture books by Hungarian photographer Ylla.

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I knew I wanted to add this one to my collection before I had even taken it off the shelf. I’ve never read a Japanese fairy tale, and was interested to see how they would compare to my childhood favourites by Hans Christian Andersen. A quick glimpse inside the book let me know I was making the right choice.

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I’ve never managed to pick up an old book with an inscription without buying it. There is something so beautiful about an inscription, as though it gives the book a story of its very own. Questions about the previous owner immediately started entering my mind. Were they a little boy, or a little girl? Why was Daddy gifting the book alone? Are they the only previous owner?

After trying, and failing, to strike up a conversation with the gentleman behind the till by informing him, somewhat excitedly, that there was an inscription in the book, I wandered home with my loot.

I spent the afternoon sat out sunshine getting to know my new friend, running my fingers lovingly over the pages to feel the indentations left by the old printing presses, and reading the first tale ‘The Daughter of the Moon’ – a charming story about a bamboo cutter who adopts a beautiful fairy.

As much as I liked the first tale, the thing that got me really excited about this book was the illustrations. There is the occasional printed colour plate often found in children’s books from the early 20th century, but there are also images included in the text that have been coloured in by hand.

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Towards the front of the book the pictures have been filled in delicately, with something resembling watercolour paints (above left). I had a look at other editions of the books online, and the images were definitely in no more than black ink when the book was first published. They must have been coloured in by one of the previous owners – was it the child who first received the book from ‘Daddy’ in 1930?

As I got further into the book I noticed that the images were no longer coloured with paint, but instead with coloured pencils, and the signature scratch of a much younger child (above right).

Without knowing anything about the previous owners, I can’t know for sure who coloured the pictures in, but this makes it all the more exciting. This book has its own mystery; a secret story told only in marks left behind by the ghosts of the past. If the first owner of the book did contribute to the coloured in images, and I like to think that they did, I do hope ‘Daddy’ wasn’t too cross.

Charlotte’s Web named best children’s book of all time!

“A children’s story that can only be enjoyed by children is not a good children’s story in the slightest.” ― C. S. Lewis

I was over the moon today to learn that Charlotte’s Web by E. B. White had been voted the best children’s book of all time.

The 1952 tale, about a lovable pig named Wilbur who is saved from the slaughter thanks to his unlikely friendship with a resourceful spider named Charlotte, was named number one in a list of 151 books chosen by critics in a poll by BBC Culture.

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The initial selection was whittled down to a list of the 21 top books in children’s literature, a diverse selection of books which provides a charming glimpse into children’s literature of the past two centuries.

1. Charlotte’s Web – E. B. White
2. The Lion, the Witch and the Wardrobe – C. S. Lewis
3. Where the Wild Things Are – Maurice Sendak
4. Alice’s Adventures in Wonderland – Lewis Carroll
5. Little Women – Louisa May Alcott
6. The Little Prince – Antoine de Saint-Exupery
7. Winnie-the-Pooh – A. A. Milne
8. Charlie and the Chocolate Factory – Roald Dahl
9. A Wizard of Earthsea – Ursula Le Guin
10. A Wrinkle in Time – Madeline L’Engle
11. The Little House on the Prairie – Laura Ingalls Wilder
12. The Wind in the Willows – Kenneth Grahame
13. From The Mixed Up Files of Mrs Basil E Frankweiler – E. L. Koenigsburg
14. The Phantom Tollbooth – Norton Juster
15. His Dark Materials trilogy – Philip Pullman
16. Matilda – Roald Dahl
17. Harriet the Spy – Louise Fitzhugh
18. Pippi Longstocking – Astrid Lindgren
19. The Secret Garden – Frances Hodgson Burnett
20. Goodnight Moon – Margaret Wise Brown and Pat Hancock
21. The Hobbit – J. R. R. Tolkien

There are many books on the list I would have happily seen voted number one, but I think the most deserving book won. The Lion the Witch and the Wardrobe, and Alice’s Adventures in Wonderland, and Little Women are all firm favourites of mine, but they are books I came to love later on in life, whereas Charlotte’s Web was one of the first books I read on my own.

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I loved Charlotte’s Web as a child, and I find it just as enjoyable now as I did twenty years ago. So I am over the moon at it’s number one spot. Books which tell a story from the point of view of animals have always been popular among children, and E. B. White took this classic theme and created something truly wonderful.

I’d love to know what your thoughts are on this. Did your favourite children’s book make in onto the list? Do you think something else is more deserving of the number one spot? Let me know! 

Children’s book review tour! Color Therapy: An Anti-Stress Coloring Book

“My world was the size of a crayon box, and it took every colour to draw her” ― Sarah Kay

If yesterday’s review wasn’t out of the ordinary enough for you I hope today will not disappoint.

I recently bought an adult colouring books for one of my friends. She had been under a lot of stress, and I thought it would give her an excuse to do something relaxing and creative to unwind at the end of the day.

Adult colouring books have only really been a ‘thing’ for the last year or so, but if sales are anything to go by they certainly seem to be proving popular. There is no shortage of them on the marketplace, just type the words into Amazon and you will be well and truly spoilt for choice.

I was a little envious of the book I had bought my friend, so I set out to secure one for myself – for review purposes of course.

I was lucky enough to be sent this one for free by Michael O’Mara Books Ltd.

Color Therapy: An Anti-Stress Coloring Book – Cindy Wilde, Laura-Kate Chapman and Richard Merritt

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My first feeling upon opening the package was one of great satisfaction – the book itself is lovely. There is none of the horrid flimsiness you often get with traditional children’s colouring books, not a single sheet of sugar paper in sight. It’s nice and weighty, with a hard cover and thick, good quality pages.

I spent a few minutes leafing through the pages and was impressed by the effort and attention to detail which so clearly went into the making of the book. A children’s colouring book would normally include a selection of crudely drawn outlines of trees, houses, tractors and smiling faces –  perfect for a child to scribble outside of the lines. Color Therapy, however, shows the sophistication that divides grown-up colouring books from their traditional counterparts. The pages are stunning, an eye watering mix of outlines, patterns, blank pages and illustrations on which to colour, doodle and sketch to your heart’s content.

Here’s a little taster of some of the pages I am most looking forward to:

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Even the layout of the book pretty sophisticated – despite the introduction stating that there are no rules ‘pick up a pen or pencil and get creating…’ – it is split into seven sections, each of which focus on a different palette, fiery reds, happy yellows, majestic greens and icy blues.

IMG_20150322_101539172I’ve spent the last few weeks taking half an hour or at the end of the day to use Color Therapy, and I have to say I have really enjoyed it. Although I should confess that so far I have only focused on the first section, Red, as it seems the perfectionist in me is unwilling to complete the book in anything other than chronological order.

Colouring in is incredibly soothing, I suppose it is a bit like curling up into the foetal position, there is something comforting about retreating back to more innocent times. I’ve been suffering from headaches a lot recently, and I’ve noticed that using Color Therapy in the evenings has helped to ease the pressure a bit, and as a result I have been sleeping better.

I’ve also found that while colouring in my mind begins to wander, it gives me time to think, but not about the stresses of everyday life. Rather, I find myself thinking about my writing. Since I’ve started using this book I have found it easier to sit down and start on the writing projects I have planned.

The following are a few of my creations – I particularly enjoyed colouring the flamenco dancer!

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Adult colouring books will not be for everyone. I’ve read somewhere that the trend is, somewhat unsurprisingly, far more popular among women. That said, I would definitely recommend Color Therapy. I have thoroughly enjoyed my adult colouring book so far, and I am planning to continue using it. If colouring appeals to your arty, creative side, or if you just want an easy going hobby to unwind with, I think you could benefit having a book like this in your desk drawer.

Children’s book review tour! Unspoken: A Story from the Underground Railroad – Henry Cole

“Those who deny freedom to others, deserve it not for themselves” ― Abraham Lincoln

Unspoken: A Story from the Underground Railroad – Henry Cole

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Another children’s classic, the picture book. It is unusual for me to try and review a book with no words at all, but a challenge I accepted and enjoyed to the last.

What would you do
if you had the chance
to help a person
find freedom.

This is the question presented to a young girl, in Henry Cole’s haunting tale of a young slave’s journey to freedom.

Unspoken is a beautiful example of a children’s picture book with illustrations that are filled with emotion and can, on their own, tell a strong and provocative tale. Cole has taken something which is often associated with children’s literature, a picture book, a wordless story, and created something beautiful. That is not to say that picture books can’t appeal to adults. Children’s classic such as The Snowman, and Father Christmas are stunning and offer equal entertainment for adults as they do for children.  Indeed, the tale told in Unspoken can speak more toward an adult audience as the innocent child is unlikely to grasp the full extent of sadness that underlies the beautiful artwork. To the child the book may appear as nothing more than a story of young girl with a secret friend.

unspoken-9780545399975-pages-16-17-1-final-rightWithout words, the young girl who lives within the illustrations of Cole’s work is almost a stranger to us; we do not know her name, or very much about her life. However, from her actions it seems as though she is from a less than well off family. Cole draws her working on a farm in tattered clothes, leading cattle and feeding chickens. It is while carrying out chores that the child sees men on horseback riding through her family’s farm, they are searching for something, and she is soon to discover the whereabouts of their quarry. Sent to the barn to gather supplies she is startle by a sound coming from a pile of corn – there is someone there.

If we knew little about the young girl, even more mysterious is the identity of the runaway. We see only their eye peeking through the ears of corn, and later, their thankful hands, reaching out to receive food encased within the young girl’s handkerchief. In my mind I have given the runaway a female identity, although each reader will have their own feelings on this matter.

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The worry etched on the young girls face as she hides this secret says far more than any words could express. Her concern seeps from the pages, a combined anxiety for the creature in the corn, and that she will be discovered harbouring a fugitive.  She watches with clear disdain as men on horseback visit her father once again, offering a reward for the return of an escaped slave. You can see that the family live a simple life, likely a reward would be very gratefully received, and yet the young girl looks on, in silence.

Our heroine, beautiful in her innocence, seems only to think of the safety of the figure in the corn. She follows her heart, as the runaway follows the North Star, away from the South, to freedom. When she returns to the barn and finds the runaway gone, leaving behind a small token of thanks, she knows she has made the right choice.

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Without a single word Cole’s book speaks mountains. There is no colour, no creed, no judgement, just a person, helping another person.

In his author’s note Cole writes that he hopes that those who read the book will use his pictures as a starting point to create their own story – filling in all that has been left unspoken.

Children’s book review tour! Line of Fire: Diary of an Unknown Soldier – Barroux

“In all my dreams, before my helpless sight, he plunges at me, guttering, choking, drowning.”  ― Wilfred Owen

Line of Fire: Diary of an Unknown Soldier – Barroux

51QTsd1WFBL._SY344_BO1,204,203,200_There was never any question of including this book on my tour list. Before I had even received the book I knew that I loved it. Line of Fire: Diary of an Unknown Soldier is exactly what the title implies; the diary of an unknown soldier.

One winter’s morning, Barroux was walking down the streets of Paris when he passed a house which was being emptied of rubbish; piles of old belongings, wrappers and refuse had been placed in the street. ‘We are emptying the basement. Help yourself if you like’ he was told by one of the people ferrying rubbish onto the street. It was at this point that Barroux picked up an ageing yellow diary from amongst the rubbish. A diary which belonged to an unknown soldier serving during world war one. Barroux took the diary and from it created Line of Fire, a graphic novel depicting the words written by an unknown French soldier…may his words never be forgotten.

This book was such a find! I’m over the moon to have discovered it, read it, and to have a copy of my own.

The illustration style fits so perfectly with the subject; you can almost imagine the soldier himself drawing them. They are simple, almost childish, yet graphic, as though they have been scratched with a piece of charcoal salvaged from the embers of long extinguished fire. They remind me, in some ways, of images I have seen drawn by soldiers on the front line. Although the sketches undoubtedly carry Barroux’s distinctive style, there is much in the way of reality present in the scenes. I am reminded of the images in A Soldiers Sketches Under Fire by Harold Harvey – real images sketched by a soldier on the front line.

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It feels strange to review the words of a man when I know nothing about him. Although Barroux is listed as the author of the book, the words belong to the Unknown Soldier. They are exactly as they were found, although in the case of my copy they have been translated into English from their native French. They are powerful words, and although it does not take long to read the book, the effect of the story is far reaching and potent.

The Unknown Soldier speaks of the things which are sure to have plagued any man on the front line of WWI. His fatigue, it is crippling, and he feels dead on his feet – ‘My feet are bleeding, My legs can no longer hold me up. This isn’t a man who’s walking but a sheep following the flock.’ He is never able to rest for more than a few hours before being aroused, often in the dead of night, to move on to the next place. He takes to sleeping on piles of straw, where they are available, next to his companion Fernand, sleeping close together for warmth, and, I expect, comfort.

Our Soldier worries about those he has left behind. He is so worried, plagued by worry each time he receives no word from home. It is moving to see the worry from the other side. It is well known that those that are left behind will worry about their father, brother, son, or husband who has gone away to fight, but the soldiers words show that the worry tortures him equally. ‘The women weep. It’s up to us to show that we’re stronger than they are and convince them that we will return.’ When he does hear news his release is evident, as though he has let out a deep breath of relief; ‘at last I receive some postcards from my dear wife’.

The horror of war is also painted on the pages of the diary, not so much in Barroux’s drawings, but in the soldier’s words. The words are not complicated or flowing, but to the point, and powerful – you can smell the gunpowder, hear the crackle of artillery fire, and see the horrors that the Unknown Soldier scrawls within the pages of his diary. ‘This is where a powerful shell landed on a platoon of the 6th company, which was partially destroyed’ he writes, having seen the remains of a soldiers leg hanging from a tree branch.

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The Unknown Soldier seems to have made a narrow escape from the horrors of war, although no one knows now anything about the man who kept this diary.  He writes of being injured while forced to advance under the eruption of overhead shrapnel, and of the bravery of a fellow soldier, without whom he may not have survived. ‘While he’s bandaging my arm, the shells continue to rain down on us. I shall never forget the devotion of this soldier who didn’t think twice about risking his life, staying close in order to tend to me.’

Once out of the line of fire, he is faced with a lengthy journey to a hospital, all the while in indescribable pain, and with a raging fever which forbids him rest and sustenance. It is once he arrives at hospital, and his fever begins to subside that he is faced with another, unimagined issue – boredom. For a week we hear nothing of the Unknown Soldier, and then, he writes of his boredom, the slowness of the days, his heavy heart, and his feeling that life is carrying on all the same outside of the hospital walls.

‘Sometimes I’m sorry I didn’t stay in the line of fire’ – and with these words the Unknown Soldier’s story ends.

Line of Fire has left me feeling such a strange mix of emotions, with so many questions running through my mind. The power of the Unknown Soldier’s last words are incredible, and only made more so by the fact that he, undoubtedly, never expected anyone to read his diary. Who was this man? And why did he stop writing? Questions I will find myself often asking, and will never know the answer to.

I would recommend this book to almost anyone. Even if you don’t feel drawn to Barroux’s illustrations the power of the Unknown Soldier’s words will not fail to captivate. History students, WWI fanatics, children and adults alike, this is a lesson in history, and an important one at that. Read it and pass on the recommendation.

Children’s book review tour! Monstrous Affections: An Anthology of Beastly Tales – Kelly Link and Gavin J. Grant

“Whoever fights monsters should see to it that in the process he does not become a monster. And if you gaze long enough into an abyss, the abyss will gaze back into you.” ― Friedrich Nietzsche

I could hardly do a book tour on children’s book for adults without delving into a little bit of young adult fiction now could I? If you enjoyed them as a pre-teen, you will probably quite enjoy going back over them now. Who can honestly say they wouldn’t happily sit down with a copy of Goosebumps, if just for the novelty?

Don’t lie to me.

So the next book on my tour was selected with this in mind.

Monstrous Affections: An Anthology of Beastly Tales – Kelly Link and Gavin J. Grant

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‘Let’s be honest. We have questions about monsters. That’s why we put this book together. That’s why you’re reading this book right now. On old maps, cartographers would draw strange beasts around the margins and write phrases such as “Here be dragons.” That’s where monsters exist: in the unmapped spaces, in the places where we haven’t filled in all the gaps, in outer space or in the deepest parts of the ocean.’

In their Anthology of Beastly Tales Link and Grant answer some questions about monsters, or rather, tell us a few tales about the monsters hiding in plain sight.

But before we begin reading, there’s a pop quiz to complete – this is novel. So as advised, I turn down the lights, pick up a nice sharp pencil, ‘one that can double as a weapon in an emergency’, and tell the truth.

The questions start off casually; multiple choice questions about the way monsters look, would I consider dating a spider, would I let a vampire bite me, you get the gist. But then they get just a little too creepy for a girl alone in a big house on a dark night.

When you were younger, you were afraid that something was in your closet.
Yes/No

There’s nothing in the closet. Really.
True/False

Are you sure there’s nothing in the closet.
Yes/No

Maybe you should go look in the closet, just in case.
Yes/No/I don’t want to. You do it.

Check again. Just one more time. Go ahead. We’ll wait right here.

After completing my pop quiz, silently cursing Link and Grant, and with my wardrobe door firmly shut. I began the first story ‘Moriabe’s Children’.

“Alanie had never seen a kraken, but her people spoke of them often. The kraken were out beyond the breakwaters of Serenity Bay, the hungry children of Moriabe. They writhed in the depths and sometimes rose to the surface to hunt. A kraken’s tentacles could encircle a sailing ship and crack its spine. Kraken snapped masts like kindling, and swallowed sailors whole.”

This first tale creeped me out. I’m terrified of squids, and the descriptions of the mammoth children of Moriabe writhing like ink pools under the sea surface made me inwardly shudder. So far so good!Denys_de_Montfort_Poulpe_ColossalThere are fifteen stories in all. Fifteen tales that dip briefly into the lives of vampires, werewolves, ghosts, demons and shape shifters. Some of these creatures hide in the shadows of our own existence, and some inhabit their own weird and wonderful worlds, where flowers are the cancer that infects a person’s soul and artificial boyfriends made from soft plastic walk among the living.

The book has a great combination of stories from different authors from all over the world, and shows an immense amount of imagination and flair. Some of the stories will appeal more to some than to others, as with any anthology, but I think there will be something here for everyone. I was particularly pleased to come across a hidden comic strip towards the end of the book, which was wholly unexpected, and served as a nice break from the rest of the text.

Frankenstein's_monster_(Boris_Karloff)Reading Monstrous Affections was like revisiting my preteen years. Some of the stories don’t try and frighten in the slightest, and instead slip into the weird and wonderful, while others are straight out spine-chilling. I am thinking in particular of ‘Left Foot, Right’ – the story of a young girl who, guilt ridden at her sister’s death, attempts to appease her sisters spirit with the gift of new shoes – which was undoubtedly the most horrifying of the stories from my perspective, and I love ghost stories.

The book is also, physically beautiful, it is a nice weighty volume, with a stunning, if slightly horrifying cover image. The book is hardbacked and made from thick, good quality paper, and to hold in your hands feels almost like a spell book, or book of dark magic, apart from having that wholly divine new book smell, rather than an equally pleasant old book scent.

But the thing I found most impressive about this book, was not the stories themselves, but the fact that many of the stories explore a lot of issues which pre-teen and young adult audiences will be able to relate to. Many of the stories explore sexuality and underage pregnancy, as well as looking at love and friendship, the loss of loved ones and bullying. I think exploring issues such as these is really important in YA fiction, and Monstrous Affections has approached this really well.

Monstrous Affections was a really fun, and at times slightly thrilling book to read. Link and Grant have selected a great variety of short stories to fit into this anthology; of the 15 tales included each is unique, with different ghosts and ghouls unlikely to feature in more than one tale. I think this book would appeal to a wider age group than the young adults it is aimed at, but with adults it would be more of a novelty than anything else. That said, I would recommend that anyone who did enjoy reading the likes of Goosebumps and Point Horror as a pre-teen give it a go.

I was sent a free copy of Monstrous Affections by Walker books in exchange for an honest review.

Children’s book review tour! The Griffin and Sabine Trilogy – Nick Bantock

‘All of us need to be in touch with a mysterious, tantalizing source of inspiration that teases our sense of wonder and goads us on to life’s next adventure.’  ― Rob Brezsny

Ok so these books aren’t technically children’s books; they’re very much written for adults. Instead, it’s the style of the books which is taken from traditional children’s literature – they are interactive, made up entirely of heavily illustrated postcards and private letters that you can remove from their envelopes.

I heard about this trilogy on an episode of the Books on the Nightstand podcast and knew straight away I needed to check them out. I’m always on the lookout for new things to read which are a little different; this one certainly piqued my interest.

Griffin and Sabine

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Griffin Moss:
It’s good to get in touch with you at last.
Could I have one of your fish postcards?
I think you were right – the wine glass had more impact than the cup.
Sabine Strohem

So begins this extraordinary correspondence between Griffin Moss, a postcard illustrator living in London, and Sabine Strohem, a postage stamp illustrator from the fictional Sicmon Islands.

The book is without introduction, background to the conversation, or hint as to how these two people know one another. As a reader, you begin the book in exactly the same situation as Griffin, for he also knows nothing about Sabine.

The mysterious Sabine has been linked to Griffin for many years, with the power to see his artwork through his very eyes. He struggles to believe this fact, but what choice does he have? How else would she know that he darkened the sky in his most recent painting? This begs the questions is she real? Or merely a figment of Griffins grief addled mind?

Through their correspondence Griffin gets to know Sabine, and lays bare his soul for the entire world to see. The journey through their correspondence brings them closer together, though they are separated by thousands of miles of land and ocean.

The experience of reading this book was truly amazing. I was sceptical, mainly because I knew these books had been published in the 90s but that I had somehow never heard of them until now. But I was so far from being disappointed.

As the relationship between Griffin and Sabine unfurls you are able to delve into it on such a personal level. There is something so deeply intriguing and alluring about reading the story through private correspondence, as though you can enter the minds of both Griffin and Sabine. At no point are the characters actively described in terms of appearance and yet by the end of the book I had developed a clear image of both in my mind.

The illustrations are stunning. And so they should be, drawn supposedly by professional postcard and stamp illustrators. I felt as though I could spend hours studying the images, while the text itself could probably be read in just half an hour. At times the images of the postcards seem to illustrate the passion written in the short blurbs of text.

So – you’ve been making love to me ten thousand miles away – how tantalizing.

It’s all rather steamy, I can feel myself blushing – if I feel like this what kind of affect is it going to have on Griffin?!

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Their relationship intensifies to the point that Griffin thinks himself insane, convinced that he has imagined himself a companion to sooth his troubled soul. He panics, terrified of what might happen, and attempts to break all ties with Sabine.

But she is not to be played with.

There are so many questions left unanswered. So much I want, no, need to know. Thank goodness I already have the rest of the trilogy.

Sabine’s Notebook

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Faced with the terrifying prospect of coming face to face with his own imaginary creation Griffin has fled London. Meanwhile his muse sits quietly, patiently, awaiting his return, having taken up refuge in his empty flat.

The second book is told with the same beautiful postcard and intricately decorated envelopes that make up the correspondence between the two star crossed, and, possibly imaginary lovers – but with the added bonus of doubling up as Sabine’s notebook. The pages which surround Griffin’s letters and cards serve as extra space for Sabine to doodle, sketch, wonder and muse.IMG_20150315_130227339

Griffin travels all over, Dublin, Italy, Egypt, picking his way through crumbling ruins and ancient civilisations, drawing further into the abyss of the past, running further and further away but from what? All the while Sabine sits patiently in his flat in London, or else taking the occasional excursion to more rural England, waiting for his return.

Sabine serves as Griffin’s voice of reason – guiding him on his journey, puzzling through his problems in her intricate sketches, and ultimately, leading him home to her.

The second book flings up even more questions which will leave you itching to get your hands on this third.

The Golden Mean

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Griffin is in back in London, and Sabine is back in the Sicmon Island – somehow they missed each other. But how? The final book in the trilogy sees Griffin and Sabine suffering silently against the unseen forces which keep them from one another.

‘It seems that each cannot exist in the presence of the other. Yet neither can continue without the presence of the other.’  

Sabine has returned to the Sicmon islands, she has washed her face in the sea and felt the sand between her toes, and yet she is unhappy. Her visions of Griffin’s artwork are fading, and a mysterious stranger is haunting her everywhere she goes.

The final part of the trilogy is told once again through postcards and letters, but this time the illustrations begin to take a darker form. Shadows emerge in the corners of the page, threatening to engulf that which lurks within the images. The fog leaks across the page, like that which creeps before the eyes of Griffin and Sabine, a physical representation of the dark forces at play.IMG_20150315_130321081

Desperate to be with one another Griffin and Sabine try one last time to make a connection.

Far from being a conclusion to the trilogy, The Golden Mean throws up just as many new questions as it answers old ones, and may leave the reader feeling many combinations of feelings – but I can guarantee this will not include disappointment.

From what I had heard about these books before I bought them, I expected them to be good, but not mind-blowing. I thought they would be novel – having books made out of postcards is such a quirky idea, but really, how far can a story be told in this way?

So, how do I feel now I’ve finished the books? Suitably humbled.

These books aren’t just good, they are really something special. Bantock’s artwork, imagination, and the intimacy and passion with which each letter is written combine to create a trilogy of books which really shine. The books are niche, clever and, above all, a truly epic read. I have been completely drawn in to Griffin and Sabine’s world.

I would recommend these books to crafty types, arty types, fans of children’s fiction, fans of fiction, fans of pictures books – in short, pretty much everyone, other than those who only read non-fiction.

Children’s book review tour! The Dark – Lemony Snicket

‘When it is dark enough, you can see the stars.’  ― Ralph Waldo Emerson

The Dark – Lemony Snicket
Illustrated by Jon Klassen

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‘You might be afraid of the dark, but the dark is not afraid of you. That’s why the dark is always close by.’

The next stop on my children’s book tour is this children’s picture book by well-known author Lemony Snicket. First, a little something about Lemony Snicket, probably best known for his YA books, A Series of Unfortunate Events. I loved this series when I was a teenager although I will confess to being more than a little disappointed by the final book. Anyway, since my teenage years I have not read anymore of his work and it just so happened that he popped up while I was looking for books to include on my children’s book for adults feature.

I stumbled upon The Dark browsing picture books on Amazon, and when I saw the cover, with the tiny, fragile image of a child staring hesitantly into the mouth of darkness at the top of an endless flight of stairs  I knew I needed it. It looked exactly like the kind of children’s book I was searching for, heavily illustrated with a dark touch. The cover alludes to a story just dark enough to give a child a bit of a thrill while cuddled up in bed, but not so much that a caring parent can’t then turn out the lights without an internal dread of being awoken by a nightmare induced screaming sprint to the master bedroom and the sleepless night that is sure to follow. Intrigued, I decided to give my old friend Lemony another chance.

The Dark is about a little, pyjama-clad boy named Laszlo, who ‘was’ afraid of the dark.

Note – was.

‘The dark lived in the same house as Laszlo, a big place with a creaky roof, smooth cold windows and several flights of stairs.’

Lazslo seems like a sensible boy. In The Dark, Snickets tells of how he tried to be practical about his fear. Thinking that perhaps if he spoke to the dark, if he visited it in the basement of his house from time to time, perhaps then it wouldn’t bother him. But every night the dark would come out of its room and creep through the rest of the house, and Lazslo was always afraid that it would come and visit him …

‘One night – it did’

The pages of the book take you on a journey with Laszlo through the darkness of his house path is lit only by a triangle of light shining from his flashlight. He follows the voice of the dark, a deep, creaking, rumbling voice, which calls out to him.

Dark3The design of the book is absolutely stunning. Klassen’s illustrations, transposed onto dark blocky pages emphasises the light and dark in Laszlo’s house and make for an amazing visual journey. The illustrations are simple and mysterious, alluding to more while showing the bare minimum. Klassen’s work is beyond stunning and in some ways speaks more volume than the words themselves, take away the text and you still have an epic visionary tale.


‘Never, ever put anything in the text that the child could already tell from the pictures.’ – Judith Kerr


At its heart The Dark is a simple, yet inspired book. The story of a little boy and his somewhat unusual experience which helps him to get over his fear of the dark.

The moral of the story is that there is nothing to be scared of – the dark can’t hurt you.

I absolutely love this book. The story, the language and the illustrations combine to make a really beautiful and impressively unusual children’s book. While it may seem that the book is a little too dark for some children, I think a parent can judge for themselves whether their child will revel in the thrill of a child tiptoeing through a house on a terrifying midnight adventure.  I loved this kind of stuff when I was little, and I know my nephews would lap something like this right up. It also has a great moral to it, which will can easily be used discuss being afraid of the dark with your own little Lazslo, you never know maybe he’ll finally let mummy and daddy have their bed to themselves again.  That said, if your children are particularly sensitive, and likely to be upset by a slightly dark book, you might want to think twice before buying them this one.

I have a friend who is rather into children’s books, so when I had read The Dark I took it round for her to marvel at.

‘I love this book’ she beamed as soon as I pulled it from my bag.

I wasn’t the first one to show it to her. I was gutted. But my disappointment was short lived.

‘You need to read this one’ she said, thrusting another books into my hands.

The book in question was written and illustrated by Jon Klassen. I gave it a read and enjoyed it so much that I have to give it a little mention here.

I Want My Hat Back – Jon Klassen

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A bear has lost his hat and he wants it back. He travels around asking all of the animals he passes if they have seen his hat, most of them say no, some are outraged to have been asked, one doesn’t know what a hat is, and others have been far too busy to look out for missing hats. The bear feels dejected, he lost his hat and he will never get it back.

Until he realises, that he has seen his hat after all.

I Want My Hat Back is easily one of the most hilarious children’s books I have ever read. I was literally, and I mean literally in its literal sense, doubled over laughing when I read this book. The kind of laughter that brings tears to your eyes and makes you struggle to draw breath. My boyfriend, unamused by the scene I was making in our otherwise empty living room, tutted and I told me to get over myself. I stuffed the book into his arms; he needed to read it for himself. A few moments passed before a loud ‘HA!’ from the other side of the sofa let me know that he approved.

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Some people have said they don’t think the book is suitable for children, I think these people need to lighten up a little. The book is great, it’s the perfect example of a children’s book that can actually be appreciated by an adult, without having to be overly long, or complicated. The story is short, simple, brilliantly illustrated, and absolutely hilarious. I challenge any adult to not appreciate the tragic-comic masterpiece that is I Want My Hat Back.

Bravo!

Many thanks to Hachette Children’s Books for sending me a free copy of The Dark for review purposes.

Comic Relief 2015: The Queen’s Orang-Utan by David Walliams

Any of you literary types looking to make a donation to Comic Relief?

Hilarious new children’s book The Queen’s Orang-utan was written exclusively for Comic Relief 2015 by David Walliams.

David will be giving all of his proceeds from the book to the charity. The illustrator, Tony Ross, will waive his royalties and HarperCollins UK will also donate all profits from the publishing of the book – at least £3 from each copy sold will go to Comic Relief.

The Queen’s Orang-Utan – David Walliams

The-Queens-OrangutanFrom Number One bestselling picture book duo, David Walliams and Tony Ross, comes this spectacularly funny story for children of 3 and up.

A bored queen.

A birthday wish.

An outrageous orang-utan.

Everything’s about to go bananas!

Available to buy from Amazon and direct from HarperCollins.

Praise for David Walliams

“TV star David Walliams is as adept at writing for the under-fives as for older children.” – Daily Express

“No one has any business being as talented as David Walliams. He is one of the few comic actors who is actually funny, and is now the genius writer of ridiculously over-the-top and utterly delightful children’s books…” – Spectator

“I absolutely love David Walliams’s books. In a few more years they will become classics.” – Sue Townsend, author of Adrian Mole

“A new Roald Dahl” – The Times