Illustrated Children’s adventure series launched at Cambridge’s Sedgwick Museum

The first in a series of illustrated children’s books, aimed at encouraging children to take an interest in visiting museums, has been launched by an independent group of adventure-seeking artists, just in time for the summer holidays.

Riddle of the White Sphinx is the first of the ‘Hidden Tales’ – a series of adventure stories with inbuilt treasure hunts, where children are invited to trace the journey of characters, follow clues, crack codes and uncover a hidden artefact located somewhere within their city.

More than 300 young bookworms attended the launch event at the Historic Sedgwick museum on 29th June, where they were joined by author Mark Wells, producer Sorrel May and illustrator Jennifer Bell.

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Author Mark Wells signs a copy of Riddle of the White Sphinx at the Sedgwick Museum book launch.

Attendees were able to get their hands on a pre-release copy of the book, as well as take part in themed activities and competitions being held across the museum – though many were seen heading into town, eager to get stuck into the treasure hunt.

Speaking about the inspiration behind the book, author Mark Wells said that he hoped the book would instil a “spirit of adventure” in all those who read it.

“When you open a book or step out your front door, there are so many things to discover – but you have to open your mind to see them,” said Wells. “The Hidden Tales is all about going outside and embarking on a real-life adventure, one where you physically visit places and work collaboratively with others to solve a mystery together.”

To find out more about the inspiration behind the Hidden Tales, check out my interview with the author.

The book follows the adventures of two children, Nina and Leo, who discover a dark secret lurking in Cambridge after they hear a mysterious, bodiless voice, calling out to them from a museum exhibition.

The story guides readers on a journey through the city streets, to locate secret portals in seven of the city’s historic museums, identify a trapped historic figure and discover the artefact that binds them there.

Want to know more? Click on the image below to open up a handy Hidden Tales infographic for a rundown of how the book works.

Hidden Tales Inforgraphic 300dpi

Speaking at the launch event, producer Sorrel May said: “Seeing so many children and their families gather for the launch of the Hidden Tales was a wonderful feeling. The excitement on the faces of the children as they opened up their new books made all the hard work we had put into the project over the last two years feel worth it.”

It’s not just children who couldn’t wait to see what the book had in store, check out my video review below:

The launch was also attended by a small group of lucky ticket holders chosen from schools around Cambridge, who were given a special tour of the Sedgwick with the first clues to the treasure hunt whispered to them over the museum’s audio guides.

“The launch was really fun,” said Kim Wheeler, a trained teacher, and one of the many Cambridge locals who attended the event. “It was great to see so many things for the children to get stuck into, to leave them raring to start the puzzles in the book afterwards.”

“I really love how the clues you need are embedded in the story,” she continued. “It makes you dig deeper and think about the writing more. It would be great for getting children to use their comprehension skills in a really meaningful way.”

If you missed out on the launch, you can still get a copy of the book online or from Heffers bookstore. The Hidden Tales are also planning a series of fun and immersive events relating to the launch throughout the summer – check out the website for more information.

 

The Grotlyn – Benji Davies

I am a little late to the party with this one – but I love it all the same!

It was the cover that first drew me to this book. Some might call it clichéd, a sparse bedroom, complete with gas lamp, lit only by the pale glow of the moon, a wrought iron bed, a tiny, pale figure peeking above the heavy sheets. I think it’s timeless. This is exactly the kind of cover, and theme I would like to have for my children’s book – if I ever get around to finishing it…

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I know when the Grotlyn’s been
Slipping through your house unseen…

The Grotlyn is a new(ish) rhyming picture book by lyrical genius and acclaimed children’s author Benji Davies. This is more than a book about things that go bump in the night though, it’s beautifully illustrated, playfully constructed and comes complete with an important life lesson for all children afraid of the dark.

As much as parents might like to try to stop their little ones watching scary movies or frightening YouTube videos, some ghostly goings on in story books is almost like a rite of passage. You know as soon as you see the cover of a creepy children’s book that it’s not going to be ~that~ scary, but I’m willing to bet that the majority of children who own this book were hoping it would be…

The story itself, though short and sweet, is loaded with suspense created by Davies atmospheric Victorian-esque illustrations, and simple, almost creeping, rhyming style. The two combine to create a spooky yet playful scene – a mysterious shadow slinking through the smog slicked city streets, slipping from page to page, raising the neck hairs of all it passes.

The Grotlyn.

This mysterious creature is causing quite a stir among the townsfolk, and has even stolen a pair of PC Vickers’ knickers.

So what could it be?

Don’t worry, the Grotlyn isn’t some horrific Babadook type – and this book is not going to make any little Klaus’s dance with the likes of Freddie Krueger.  As the, equally magnificent, trailer for this tale so cleanly alludes:

But what at first we think to be
The eye does blindly make us see.
So don’t be scared to sleep – to dream!
For things are not quite what they seem.

Rest easy with the knowledge that the creeping, crawling, knicker-stealing culprit in the story poses no harm, and will be easily, and perhaps hilariously, revealed to be something much less scary than the name ‘Grotlyn’ conjures up.

I can say no more.

I don’t like to judge a book by its cover – but I 100 per cent did with this one and it completely paid off. I won’t be gifting my copy of this book to any little people, quite simply because I want to keep it for myself. That said, I think that ‘The Grotlyn’ is the perfect book for sharing with little ones who like a thrill.

Big Data: A Very Short Introduction, by Dawn E. Holmes

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A very short introduction to a very big subject, Big Data: A Very Short Introduction by Dawn E. Holmes is arguably the most topical of this book series. Big data is everywhere, and not just in the sense that it is constantly being gathered and amalgamated to carry out all manner of market-based and statistical analysis – it is also an immensely overused buzzword, present everywhere from the daily news to popular culture, and all points between. This very short introduction is perfect for anyone who is a little bit baffled by the very concept of big data. Holmes introduces the subject in a format that is both concise and manageable, drawing on the fields of statistics, probability and computer science to illustrate the power of big data in everyday life, the associated security risks of such information falling into the wrong hands, and the issues surrounding the use of big data by companies and businesses today.

This review was first published online for E&T Magazine

Projects: A Very Short Introduction, by Andrew Davies

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In this Very Short Introduction Andrew Davies delves into the world of projects. It may sound like a dry subject, but the history of projects is nothing short of fascinating – and a very long history it is too. By definition, a project is any sort of collaborative mission planned to achieve a particular aim, a temporary measure with a limited lifespan. Throughout history mankind has used projects to reform and transform the natural world, creating innovative spaces for people to work, live and play. Throughout the course of this very short introduction Davies references some of the greatest projects of all time, including examples such as the Erie Canal and the Apollo Moon landing, to highlight how different projects are managed and organised to cope with the changing conditions and immense uncertainties unveiled within any form of breakthrough innovation. Moving forward, Davies presents his own ideas for how future projects can be organised to best address the challenges of modern post-industrial societies. If you are considering a career in project management or are already involved in one or more projects and want to know how to improve the system then let this book become your bible. Projects: A Very Short Introduction by Andrew Davies offers a veritable goldmine of insights, anecdotes and analysis of the very basics of project management, showing how it is done, and advising on how it can be done better.

This review was first published online for E&T Magazine 

The Return of the Young Prince – A.G. Roemmers

A few months ago I came into work to see a news story left on my desk. It was inconspicuous, a small sheet of thin paper roughly torn out of a little pamphlet, and it told me they The Little Prince was coming back. The little golden-haired boy whose story opened my eyes to a whole new way of thinking had touched another author enough to be brought back to life.

Then, one evening this October as the weather was just starting to turn, I was walking out from South Kensington tube station when I passed small, independent book shop, lit up against the coming dark with the most wonderful display of hardback books – he had arrived.

28957290Those of you who have read my blog a lot might know of my love affair with The Little Prince. I love French translations, and this one was so wonderfully magical and childish that it took me back to innocent place in the very far reaches on my memory. The golden-haired boy of Exupery’s tale holds a firm spot in my heart, and the idea of seeing him again filled me with so much joy.

I approached the book with a certain amount of caution, aware that it could so easily fall short of my rather high expectations – The Little Prince is a rather hard act to follow. I’m not going to pretend I didn’t have a few reservations while I was reading the book – there were the invariable comparisons to the original – but while I found it difficult at first after some time I realised that the book needed to be different. After all the original book is not just the story of The Little Prince himself, it is the story of the Aviator – that is, Antoine de Saint-Exupéry – and how his life was touched by The Little Prince. In the same way, The Return of the Young Prince is a tale of how The Little Prince touched A.G. Roemmers.

“I think this planet would be a lovely place if everyone on it greeted each other with a smile when they met”

In The Return of the Young Prince, a solo driver, setting out on an expedition across the mystical land of Patagonia, finds a young, starving teenager asleep at the side of the road – none other than The Little Prince, now grown, who has returned to earth in search of his friend the Aviator. The pair embark upon a journey of a lifetime, the man with a destination in mind, and The Young Prince, as he is now known, hoping that along the way he will find what he is looking for. The Young Prince and the driver speak, they are philosophical, quizzical, educational and at times humorous, the conversations passing between the pair serving to highlight, as in the original, the wonderful difference between the adult and juvenile brain, and that there are things in life that you cannot put a price on.

“I can tell you with certainty that your friend gave you the loveliest sheep in the world – the one that you imagined in your fantasy, the only one you could look after and that could go with you to your little planet. Didn’t you enjoy his company as you watched the sunsets? Didn’t you go to him in the night so that he wouldn’t feel alone and that you too wouldn’t feel so alone? Didn’t you think that he belong to you because you had tames him and that you belonged to him? There’s no doubt that he was more real, more alive, than the one you saw in the photograph, because that one was just a sheep, whereas the one inside the box was your sheep.”

There is so much I could say about this book, so many anecdotes I would love to pick apart and ponder over the hidden metaphors and morals. There are so many messages one could take from the story, though, that it would be unfair of me to do so and to taint your own experience of the book. Assuming of course that you are willing to give the book the time of day – I thoroughly recommend it.

It’s important to approach the book with an open mind. Do I prefer it to the original? Of course not. It’s a very different book, but while it changes some of the themes of the original, it does not detract from Antoine de Saint-Exupéry’s work. This is a book which speaks of how The Little Prince touched the life of the author, a man who has dedicated years of his life into researching and studying Antoine de Saint-Exupéry. The book does not try to pick up where Antoine de Saint-Exupéry left off. Rather, just like The Little Prince, it serves as a tale told by a man whose life was changed by his encounter with the golden-haired child of Antoine de Saint-Exupéry’s past.

 

The Power – Naomi Alderman

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Equality, prosperity and power are just some of the aims of feminists past and present – but what would a world controlled by women actually look like? In her fourth novel, author Naomi Alderman inverts traditional gender roles to create a world where women quite literally hold all the power and men tremble at their feet.

Love it or hate it, utopian and dystopian fiction has a lot to say about how people live their lives and the desires, dreams and fears that lurk under the covers of society. Dystopic works throughout the 20th century have explored totalitarian states, brainwashing, societal complacency and overpopulation. They reflect societal fears of a future in which too much power has been lost to the state, through the wonderful world of science fiction.

This genre suits feminist complaints by questioning the conventional exercise of power between the sexes, often delving into frustrations of women in a patriarchal society. Previous works explored the prospect of women-led civilisations in which gender roles are reversed or worlds where women live alone, having somehow discovered the secret to asexual reproduction.

There is a reason you don’t get many all-male utopias, but I’ve often wondered why there aren’t more novels that explore what a world would be like where women not only ruled, but ruled with power. So many science-fiction novels strived to illuminate societal inequality through exaggeration and role reversal, or the creation of purer, softer societies where women rule each other with soft hands, but I have yet to come across a book which inverts the status to devastating effect.

‘The Power’ is just such a novel.

Naomi Alderman’s latest novel is a manuscript written 5,000 years in the future, documenting the rising power of a female elite. The story begins with the ‘Day of the Girls’, when teenage girls across the world wake with a strange new power. It starts as a subtle throbbing sensation between the collarbones and crackles across the skin, filling the air with electrostatic discharge and the smell of rain and rotten fruit, before emerging as a spark of light from the tips of the fingers.

What would the world look like if men were afraid of women rather than women being frightened of men?

A slight warning, while not fully divulged in this review, the book contains one or two themes that some readers might find disturbing.

Through the guise of a fictional future researcher, Alderman follows the stories of four characters and how they are affected as the world begins to change. We meet Roxy, a tough, foul-mouthed daughter of a London crime lord who is out to seek revenge; Allie, a dual-heritage girl from Jacksonville who, having suffered unspeakable abuse at the hands of her foster father, rebrands herself as charismatic faith-leader Mother Eve; Margot, the aspiring New England Governor along with her confused daughter Jocelyn; and Tunde, a plucky Nigerian journalist who strives to uncover the ugly truth behind the rising female power.

‘Men have evolved to be strong worker homestead-keepers, while women – with babies to protect from harm – have had to become aggressive and violent.’

A few videos emerge across social media platforms showing girls seemingly electrocuting men with their hands. The initial reaction is one of disbelief, but as more and more begin to appear, society is forced to attempt to address this strange new phenomenon. As childish tussles give way to deadly brawls and schools are forced to begin gender segregation, the very fabric of society unravels and young women are recruited to fight a bitter battle between the sexes that ravages Eastern Europe.

In Alderman’s present, electricity is no longer a thing of convenience, but a power to be held within the hands of women, to throw off the shackles of oppression. The future, however, is anything but bright, and all thoughts of equality are thrown to the wind. Ideas of a softer, more maternal society give way to hordes of women who rule with iron fists, as men are assigned their place on the bottom rungs of the ladder, forced into submission as slaves to the female race.

The storyline is complex and multi-layered, presenting a future where women have forgotten the male-dominated times of the past – the systems overthrown within the main body of text – and men are thought to be the fairer sex. This book is so much more than the latest attempt at a feminist dystopia. It is refreshing and insightful, combining a gripping storyline alongside an interesting analysis of societal ideas about equality and fairness within gender roles.

This review was first published on online for E&T magazine.

Head in the Cloud – William Poundstone

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What’s the point in knowing anything when facts are so easy to look up? In this new release from Oneworld Publications, William Poundstone sheds light on the importance of knowledge, even when Google is just a stone’s throw away.

It is often said that we are living in an information age. Gone are the days of trawling through text books and library archives to find the material to complete your latest homework assignment. The internet possesses all the information you could ever need – and then some. Pick up your smartphone or connect to your computer and you have a wealth of data available at your fingertips. But while it’s true that it is incredibly easy to look up facts on Google, it’s not so easy to remember any of them. Some have argued that having such a wealth of information available to us is making us stupid.

In his new book, ‘Head in the Cloud: The Power of Knowledge in the Age of Google’, William Poundstone turns this theory on its head. Being better connected doesn’t necessarily mean we are better informed and the internet is not making us stupid, he argues. Rather, it is making us less aware of what we do not know. We’re living, Poundstone believes, in the golden age of rational ignorance. People are more interested in the lives of Kim Kardashian and Kanye West than bothering to learn who painted the Mona Lisa and millennials use acronyms such as BTDTGTTAWIO (been there, done that, got the t-shirt and wore it out), but are unable to recall the single word uttered by the raven in Edgar Allen Poe’s famed poem.

So what does being well informed actually mean? Does it really matter?

Speak to any self-proclaimed gamer and you will likely tap into a wealth of information that’s missing from the mind of the average Joe. Perhaps you don’t have a clue what processor lurks within your PC, or how to overclock the latest Nvidia graphics card, and why would you? Unless gaming happens to feature high on your list of priorities, you’ll probably never need to know this random information.

Equally, some of you will have got through life just fine without ever having known the catchphrase of Poe’s raven. If someone was to ask you who invented Post-It notes, what year Tinder was developed, or what the fastest land mammal on earth is, you could retrieve the answer from the cloud within a fraction of a section of clicking ‘search’ on Google. This poses the question: ‘What’s the point of knowing anything when facts are so easy to look up?’

Interestingly, it turns out that the benefits of staying well-informed extend much further than being everyone’s go-to teammate in the monthly pub quiz. Poundstone reports results of internet surveys analysing the rate of public knowledge, with outcomes suggesting that better informed individuals are, on the whole, healthier, happier and quite significantly wealthier. Not only this, but factual knowledge is heavily correlated with personality traits, including political opinion. Did you know, for example, that those who are able to locate a country on a map are less likely to be in favour of invading it? This is just the very tip of the iceberg when it comes to ill-informed voters.

‘Head in the Cloud’ is hilarious, humbling and brutally honest, and will likely make you doubt yourself, and everyone around you. This book is not merely a declaration of the woes of an ill-informed public, it also serves to highlight the benefits of broadening your horizons, offering insight and advice on how to best use todays media to stay informed. If you take only one thing away from this book, let it be the knowledge that there is no such thing as irrelevant information and that you could probably benefit from a little more time spent with an atlas, encyclopaedia and Oxford English Dictionary.

This review was first published in print for E&T magazine