Redwall – Brian Jacques

Yet another book I wish I had known about when I was a child. I’m absolutely thrilled to know there are more in the series – I just need to find the time to read them!

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This is the first in a series of wonderful children’s books about a peaceful community of field mice who live within the quiet confines of Redwall Abbey. The brotherhood slumbers quietly on the edge of the Moss Wood, providing a place of humble solitude and unquestioned refuge for any who seek it. They live a simple wholesome life enjoying the good things nature has to offer – like goat’s milk, honey and nut brown ale. I feel warm inside just thinking about it.

Of course, it takes conflict to make a story, and so be prepared, once you open this book, for the lives of the Redwall mice to be thrown into turmoil. Not a day is given over to the lives within the Abbey before Cluny the Scourge, a vicious, one-eyed rodent, whose nightmarish existence is the stuff of legends, rolls in from the wild woods beyond the horizon. The noisome creature sets his sights on Redwall Abbey, determined to turn the warm stone walls into a fetid nesting ground for himself and his band of vile vagabonds. This is the beginning of an epic battle, the likes of which the peaceful brotherhood of Redwall has not seen for hundreds of years.

Our unlikely hero is a small, clumsy field mouse named Matthias, a new addition to the Abbey, who has a lot to learn about the complex history of his new home as he fights to defend its boundaries from Cluny’s deadly crew. It will take more than just the mice to defend the Abbey, but enlisting help from their neighbours is not as easy as just asking for it. The Moss Woods are rife with historical conflicts, and the mice, though peaceful, have a rather unsettling past. Beyond tribal feuds, though, are two evils more sinister than the sins of every benign entity combined, and only communal action can ensure that these dark presences do not forever disrupt the quiet equilibrium of the forest.

This book has a lot to offer to different readers. On one level it provides a fantastic amount of action for children’s literature – I was inadvertently clenching my teeth while reading about the battle between the mice and Cluny, and was filled with genuine terror at the idea of ‘old poison teeth’. On a personal level, though, I could have happily read all about the mice of Redwall without there being any kind of altercation. Redwall is the kind of community that one feeds on hearing about. Like the woodland animals in the Lion the Witch and the Wardrobe – specifically Mr and Mrs Badger – or any one of Beatrix Potter’s books. I am in love with the life that the mice live – it is so wholesome and wonderful; a simple, healthy life full of good things. The Abbey stands as a natural organ of the forest and the mice and the other creature that live within the walls keep it running like a well oiled bicycle – what more could I ask for in a book? A quiet life makes for content reading.

I was really taken by the complexity of Jacques’ characters. My personal favourite is Basil Stag Hare, whose ghost-like reflexes, mildly misquoted malapropisms and insatiable appetite are nothing short of genius. When it comes to characters that are also hares, Basil Stag is easily one of the most excellent I have ever come across*. He is joined by a whole host of unforgettable faces, Ambrose Spike the greedy hedgehog, Constance the formidable badger, and Warbeak, a sparrow who is much too big for her tiny, tiny boots.

Overall, I really enjoyed my first dip into the realms of Redwall Abbey. Jacques has crammed so much into this first book, and I have no doubt the rest will not disappoint. I would strongly recommend giving Redwall a try if you are a fan of young adult literature, tales of idyllic livelihoods interrupted, or anything containing anthropomorphic mice.

*This may sound oddly specific, but as a lifelong fan of Harriet’s Hare it is no mean feat

The Return of the Young Prince – A.G. Roemmers

A few months ago I came into work to see a news story left on my desk. It was inconspicuous, a small sheet of thin paper roughly torn out of a little pamphlet, and it told me they The Little Prince was coming back. The little golden-haired boy whose story opened my eyes to a whole new way of thinking had touched another author enough to be brought back to life.

Then, one evening this October as the weather was just starting to turn, I was walking out from South Kensington tube station when I passed small, independent book shop, lit up against the coming dark with the most wonderful display of hardback books – he had arrived.

28957290Those of you who have read my blog a lot might know of my love affair with The Little Prince. I love French translations, and this one was so wonderfully magical and childish that it took me back to innocent place in the very far reaches on my memory. The golden-haired boy of Exupery’s tale holds a firm spot in my heart, and the idea of seeing him again filled me with so much joy.

I approached the book with a certain amount of caution, aware that it could so easily fall short of my rather high expectations – The Little Prince is a rather hard act to follow. I’m not going to pretend I didn’t have a few reservations while I was reading the book – there were the invariable comparisons to the original – but while I found it difficult at first after some time I realised that the book needed to be different. After all the original book is not just the story of The Little Prince himself, it is the story of the Aviator – that is, Antoine de Saint-Exupéry – and how his life was touched by The Little Prince. In the same way, The Return of the Young Prince is a tale of how The Little Prince touched A.G. Roemmers.

“I think this planet would be a lovely place if everyone on it greeted each other with a smile when they met”

In The Return of the Young Prince, a solo driver, setting out on an expedition across the mystical land of Patagonia, finds a young, starving teenager asleep at the side of the road – none other than The Little Prince, now grown, who has returned to earth in search of his friend the Aviator. The pair embark upon a journey of a lifetime, the man with a destination in mind, and The Young Prince, as he is now known, hoping that along the way he will find what he is looking for. The Young Prince and the driver speak, they are philosophical, quizzical, educational and at times humorous, the conversations passing between the pair serving to highlight, as in the original, the wonderful difference between the adult and juvenile brain, and that there are things in life that you cannot put a price on.

“I can tell you with certainty that your friend gave you the loveliest sheep in the world – the one that you imagined in your fantasy, the only one you could look after and that could go with you to your little planet. Didn’t you enjoy his company as you watched the sunsets? Didn’t you go to him in the night so that he wouldn’t feel alone and that you too wouldn’t feel so alone? Didn’t you think that he belong to you because you had tames him and that you belonged to him? There’s no doubt that he was more real, more alive, than the one you saw in the photograph, because that one was just a sheep, whereas the one inside the box was your sheep.”

There is so much I could say about this book, so many anecdotes I would love to pick apart and ponder over the hidden metaphors and morals. There are so many messages one could take from the story, though, that it would be unfair of me to do so and to taint your own experience of the book. Assuming of course that you are willing to give the book the time of day – I thoroughly recommend it.

It’s important to approach the book with an open mind. Do I prefer it to the original? Of course not. It’s a very different book, but while it changes some of the themes of the original, it does not detract from Antoine de Saint-Exupéry’s work. This is a book which speaks of how The Little Prince touched the life of the author, a man who has dedicated years of his life into researching and studying Antoine de Saint-Exupéry. The book does not try to pick up where Antoine de Saint-Exupéry left off. Rather, just like The Little Prince, it serves as a tale told by a man whose life was changed by his encounter with the golden-haired child of Antoine de Saint-Exupéry’s past.

 

Millroy the Magician – Paul Theroux

“We do not need magic to transform our world. We carry all of the power we need inside ourselves already.” ― J.K. Rowling

My fiancé (oh yes!) recently finished reading this book and passed it on to me, insisting I read it my first possible opportunity. It didn’t take me quite as long to finish, he seemed to take months and months over it, but I can definitely understand why it might take someone a while to get through. The book is, shall I say, a little bit tricky. This is not a book you would want to attempt in a single sitting; it’s definitely one to take your time over.

Milroy the Magician – Paul Theroux

Our cheering drowned the music, but Milroy did not seem to hear it. He looked dignified, holding the flapping eagle, and he turned to me, and stared as he had before, and leaned over to where I sat in the second row.

Popping my thumb out of my mouth made the sound of a cork being yanked from a bottle.

Even through the cheering crowds his voice was distinct, as he said, ‘I want to eat you.’

So I stayed for his second show.

51WXvY4gl2LJilly Farina was nervous the day she attended the Barnstable County Fair. It was a hot, sticky Saturday in July and she was all by herself. Her Dada was black-out-drunk, so she went on alone, sitting at the back of the bus, quietly sucking her thumb, and thinking about what the fair had in store for her.

She had seen Millroy the Magician once before, he was famous for making an elephant disappear, and had once turned a girl from the audience into a glass of milk and drank her. Jeekers! But when Jilly stepped into the wickerwork coffin during a performance she had no idea that he would transform her life into something magical, and a touch bizarre.

You see, Millroy was no ordinary magician. A magical, eccentric, vegetarian, health fanatic, Millroy was set on changing the eating habits of the whole of America – Millroy could sense the future, and he knew that Jilly had a big role to play.

I was supposed to meet my father at the Barnstaple County Fair, and in a way I did, though he was not Dada.

Paul Theroux presents Jilly as a girl who is very young for her years. The world which emerges through Jilly’s eyes is that inhabited by a scared, lonely child. As a reader you enter the body of Jilly, and stand, absent mindedly sucking your thumb and stroking your ear, while dreamily drinking in the world around you. As a reader, you grow to know Jilly intimately, to understand her innocence and naivety.

It is really no wonder that Millroy chose her.

Jilly’s relationship with Millroy is an odd combination of love and fear, sometimes one, sometimes both, and often shifting quickly from one to the other. The relationship is, on the whole, slightly awkward. While it is obvious that Jilly dotes on Millroy they remain entirely separate beings, always together, but forever apart. It is obvious that she fears him, or at least she fears his magic, but at the same time loves him, as a father or perhaps something more?

Even odder is Millroy’s relationship with Jilly. If Jilly dotes on Millroy, then Millroy obsesses over Jilly. Linked to this is Millroy’s own obsession with food – he is determined to inform the American public of the evils of the American food industry, but more than this, he is obsessed with feeding Jilly.

Food is an underlying and overlying theme. The whole book is brimming with pottage, homemade bread, green tea, broiled fish and herbage. Try reading the book without in some way succumbing to the desire to be regular – I’m sure it can’t be done. I developed such an appetite for leaves! Millroy is forever chewing, munching or gulping some delectable healthy snack, while preaching the importance of a clean, fresh, healthy, regular lifestyle. At the same time, Millroy obsesses over the dark side of food, the insidious nature of the American food industry, the sweating, drooling, gasping, jiggling American population, stuffed full of fat, chemicals, meat and sugar.

If the American food industry is insidious, what is even more insidious is Millroy’s interest in Jilly. Why is he so obsessed with her? Why does he want to be responsible for ‘everything’ that goes inside of her? And why does he fall to pieces at the idea of losing her? It is almost as though he is in some way dependent on Jilly, not just emotionally, but physically, as though he is feeding off of her.

This is one of the oddest books I have ever read. It left me with so many questions, which I’m not sure have clear cut answers: Who is Millroy? What is the root of his magic? Does the magic pass on? Does it destroy the bearer? So many questions, and so many potential answers.

Millroy the Magician is a strange book – but one that I very much enjoyed reading. It is absorbing, without much action, and tense, without real drama. Each passage speaks volumes, without relaying much in the way of actual events. I feel as though the story is more of a journey in itself than an adventure – sure, Millroy travels across America and achieves amazing things, but in the end has much changed? Are Millroy and Jilly much different? Or have they merely switched roles?

On the whole, would recommend.

And yes, he did propose ❤