The Grotlyn – Benji Davies

I am a little late to the party with this one – but I love it all the same!

It was the cover that first drew me to this book. Some might call it clichéd, a sparse bedroom, complete with gas lamp, lit only by the pale glow of the moon, a wrought iron bed, a tiny, pale figure peeking above the heavy sheets. I think it’s timeless. This is exactly the kind of cover, and theme I would like to have for my children’s book – if I ever get around to finishing it…

9780008212759

I know when the Grotlyn’s been
Slipping through your house unseen…

The Grotlyn is a new(ish) rhyming picture book by lyrical genius and acclaimed children’s author Benji Davies. This is more than a book about things that go bump in the night though, it’s beautifully illustrated, playfully constructed and comes complete with an important life lesson for all children afraid of the dark.

As much as parents might like to try to stop their little ones watching scary movies or frightening YouTube videos, some ghostly goings on in story books is almost like a rite of passage. You know as soon as you see the cover of a creepy children’s book that it’s not going to be ~that~ scary, but I’m willing to bet that the majority of children who own this book were hoping it would be…

The story itself, though short and sweet, is loaded with suspense created by Davies atmospheric Victorian-esque illustrations, and simple, almost creeping, rhyming style. The two combine to create a spooky yet playful scene – a mysterious shadow slinking through the smog slicked city streets, slipping from page to page, raising the neck hairs of all it passes.

The Grotlyn.

This mysterious creature is causing quite a stir among the townsfolk, and has even stolen a pair of PC Vickers’ knickers.

So what could it be?

Don’t worry, the Grotlyn isn’t some horrific Babadook type – and this book is not going to make any little Klaus’s dance with the likes of Freddie Krueger.  As the, equally magnificent, trailer for this tale so cleanly alludes:

But what at first we think to be
The eye does blindly make us see.
So don’t be scared to sleep – to dream!
For things are not quite what they seem.

Rest easy with the knowledge that the creeping, crawling, knicker-stealing culprit in the story poses no harm, and will be easily, and perhaps hilariously, revealed to be something much less scary than the name ‘Grotlyn’ conjures up.

I can say no more.

I don’t like to judge a book by its cover – but I 100 per cent did with this one and it completely paid off. I won’t be gifting my copy of this book to any little people, quite simply because I want to keep it for myself. That said, I think that ‘The Grotlyn’ is the perfect book for sharing with little ones who like a thrill.

The Future: A Very Short Introduction, by Jennifer M. Gidley

41724522An attempt to analyse and condense something which encompasses everything that is yet to come feels like an exercise in failure, and yet I hold in my hands a book which does just this. A wonderfully concise and brilliantly written book, The Future: A Very Short introduction by Jennifer M. Gidley takes a look at the future by travelling into the past – a literal oxymoron if ever there was one. To understand the future, says Gidley, we must look backwards, beginning with the emergence of theories of linear time in Ancient Greece. Within the book Gidley introduces the reader to the future as a concept, exploring prophecies and predictions from throughout history, discussing the potential for machine- vs human-centred futures and highlighting the reality that is ‘multiple futures’.  The future is inevitable, but our treatment of it doesn’t have to be; by exploring ‘the past of the future’ and its links with ‘present-day futures’, says Gidley, we are better prepared to create wiser futures for tomorrow.

This review was first published online for E&T Magazine 

Frankenstein: The First 200 Years by Christopher Frayling

61BmMty1vDL

“If you could have been around on a single say in the historical past – which day would it have been?” This question, posed by a BBC reporter, and answered in truth by author Christopher Frayling, is the perfect frame within which to set this book. Given a choice, it is incredibly difficult to select a single moment in time. Scientists, artists, philosophers and critics will each have very different choices. History has so many possibilities, but for Frayling, the choice was simple.

The obvious answer, says Frayling, is not a day, but a night. A night filled with boredom and anguish, which ultimately lead to the creation of one of the greatest ghost stories ever told. It was a dreary evening in June 1816 when a young Mary Shelley (then Godwin) first sought to horrify her companions with a tale of science and technology gone insane, a tale that would go on to become one of the best known tales of horror ever written.

Just 18 months later on New Year’s Day 1818, Mary Shelley’s Frankenstein, complete with a preface by her husband Percy Shelley, was released into the world. The coming days, months, years, and now, centuries, would see this limited-edition fiction become one of the defining pillars of British culture. Frankenstein: The First 200 Years, a new and stunning hardbound production from Reel Art Press, celebrates the 200th birthday of literature’s greatest monster, by tracing its journey from fireside fiend to cultural celebrity.

The last two hundred years have seen Frankenstein’s creation break away from the paper-bound confines of the novel to stalk the stage and screens small and large, creeping into cartoons, comics and even cereal packets. The creature first snuck onto the big screen back in 1910, in a 16-and-a-half-minute ditty for the Thomas Edison Film Company, as a hideous beast with a misshapen body, twisted face and wild matted hair. Since this time, the costume changes have been many and various, occasionally adopting a somewhat ‘cuddly’ caricature afforded by the face of Herman Munster and modern-day Frankenweenie.

Within the pages of this stunning edition, the reader is taken on a journey through literary history, which includes new research on the novel’s origins, reprints of the earliest known manuscript of the creation scene, and a 90-page visual celebration of Frankenstein’s presence within popular culture.

Outside of obvious realms of literature and popular culture, Frankenstein’s exploits continue to roam – in a much less flattering light. If Mary Shelley’s novel held a message, it was surely a warning that manipulating that which you do not understand can only lead to devastation. Today, among newspaper pages constantly splashed with stories of the latest and greatest exploits in genetic engineering, nano-technology and artificial intelligence, Frankenstein’s monster often bares his ugly head.

The yellow-eyed, sallow-skinned being from Shelley’s novel, is indeed a far-cry away from any of the images we all recognise today – the bolt-necked beast made famous by Boris Karloff in James Whale’s 1931 onscreen adaptation being the most obvious. It is somewhat telling, perhaps, that the creature itself cannot be controlled. Just as Victor Frankenstein failed to coerce his creation, Mary Shelley’s tale has proved itself to have a life of its own.

If given the chance to travel back in time, there’s no telling where you might go, but for those intrigued by what occurred on that fabled night back in 1816, the very least you should do is read this book. Frayling has created as close to a time machine as you might hope to get, revealing, not just the humble origins of history’s greatest monster, but a thoroughly fascinating breakdown of all his exploits since.

This review was first published online for E&T Magazine 

Dr Seuss: How The Grinch Stole Christmas | 60th birthday

It’s that time of year again, and this one is a special one, because one of the world’s best-loved children’s Christmas stories is turning 60, and it’s had a special makeover to celebrate.

y648

This beautiful new edition of Dr Seuss’s Christmas masterpiece ‘How the Grinch Stole Christmas’ is the perfect addition to any Christmas list. The illustrations and charming storyline remain the same, but are joined by a welcoming introduction by Charles D Cohen which explores the origins of the story, and the true meaning of Christmas – this is all contained within a beautiful clothbound cover and presentation box.

I absolutely love the Grinch, I include the 1960s animated short and even the Jim Carey feature in this, but of course nothing is a patch on the original. It is one of Dr Seuss’s best known stories, and with good reason. It took just a month to write, and two months to illustrate, but no other book so perfectly explores and presents the true meaning of Christmas.

You all know the story, and I’m sure I don’t need to bore you all with an explanation of the excellent storyline, writing style, or even illustrations – that said, Dr Seuss’s illustrations never cease to amaze me, in with this book in particular I love the use of red and black, making the pages seem at one dark and festive.

The story itself remains the same, a true Christmas classic, but the really nice thing about this new edition is the introduction.

It is said, and I cannot help but agree, that most people think of Dr Seuss as the Cat in the Hat – but remember that even the happiest people have their bad days. Dr Seuss, whose real name, for those of you who didn’t know, was Theodor Geisel, actually based the grisly, green-eyed character that stalks the page of this Christmas caper on none other than himself.

As his stepdaughter Lark Dimond-Cates once said: “I always thought that the Cat… was Ted on his good days, and the Grinch was Ted on his bad days.”

Seuss created the Grinch as a character at the tender aged of 53, on the day after Christmas day 1956, as an expression of his own concerns about the festive season. It’s an alarming thought, that someone who wrote such wonderful, magical children’s book could struggle with the spirit of Christmas, but Seuss did, and he used the Grinch to help work out exactly how he felt about the holiday.

So the intro says, Seuss was looking into the mirror, brushing his teeth on that Boxing Day morning, when he saw the Grinch peeking back at him.

maxresdefault

“Something had gone wrong with Christmas, I realised, or more likely with me. So I wrote the story about my sour friend, the Grinch, to see if I could rediscover something about Christmas that obviously I’d lost.”

This is, in fact, alluded to a little in the text “For fifty-three years I’ve put up with it now! I must stop this Christmas from coming! … But HOW?”

The introduction goes on to explain a little more about the books notoriety. It was first published back in 1957, an interesting year for Christmas which saw the launch of three separate which encouraged readers to rethink the true meaning of Christmas. These included: The Year without Santa Claus, The Christmas That Almost Wasn’t, and How the Grinch Stole Christmas. It became a year when people were forced to think about what Christmas really meant to them – and people loved it! All the books received prominent praise, and went on to become films in their own right, but none was quite as special as the Grinch, who became a Christmas staple, paling only in comparison to Santa Claus, and Rudolph.

However, unpleasant the Grinch character may seem at first, the book reminds us of an important fact – Christmas is about more than just presents. There is a deeper meaning to the book, though, expressed through the image of the Grinch, and the Whos coming together, that no one should be alone on Christmas, and that anyone can be part of a community.

The poor Grinch has never had a friend, or a family, and certainly never been part of a community, and cannot understand the Whos. In particular, he hates the Who-Christmas-Sing, a time when the Whos “would stand close together, with Christmas bells ringing. They’d stand hand-in-hand. And the Whos would start singing.”

Through the magic of Christmas, and seeing the Whos resilience even in the absence of presents, the Grinch learns to enjoy the true meaning of Christmas and to spend time and share a meal with the Whos, and as such to become a part of their community.

It is not a religious story, Seuss made sure of this. Like many of his books, Seuss wanted to ensure that the Grinch would teach children that people who look different, and come from different places can still come together as friends. A message we could all do with remembering at such troubling times.

As the intro concludes, most readers can notice a little something of the Grinch in themselves, I know I definitely can. I love Christmas, but I have had my troubles with it in the past, fed up with the endless money, presents and complete and utter faff that comes with it. At some point, though, I realised how I was only depriving myself by feeling this way, and by doing away with my own faff, I learned to enjoy Christmas for what it is, a time to be thankful, to spend time with friends and family and celebrate life, a time for quiet, reflection – and now I love it again.

The Grinch is an important holiday figure, and the Grinch, as a story, is one I can never get through the Christmas season without reading. I didn’t realise, until I saw this new edition, that the Grinch was approaching its 60th year in publication. I had already decided to start a little ‘tradition’ with my youngest nephew, of buying him a Dr Seuss book for his birthday and Christmas each year, this year’s Christmas present was to be the Grinch, and I am delighted that there is a special, beautiful new edition that I can share with him.

 

‘The Wishing Star’ by M Christina Butler and Frank Endersby

I have a real soft spot for books about mice.

I’m sure it has something to do with how tiny they are – almost the perfect size for living in a doll’s house, and so somehow just right for ascribing human qualities to.

Obviously, ‘The Tale of Two Bad Mice’ was an absolute favourite of mine as a child, but even as an adult I still find myself drawn to any children’s book with a mouse on the front cover – ‘The Mouse and His Child’ and ‘Redwall’, though aimed at a slightly older audience, are two of my favourite finds in recent years.

‘The Wishing Star’ is the latest addition to my children’s book shelf, and one I look forward to sharing with the little people in my life.

9781848958715_Z

Little Brown Mouse and Little Grey Mouse are the best of friends, and spend all their days together, doing the things that best friends do. They climb trees, and pick berries and have such a jolly time, each content in the others company.

‘I’m so lucky to have you as a friend,” said Little Grey Mouse.

One night, the two friends see a beautiful wishing star fall from the night’s sky and disappear into the nearby lake, and set off in their boat to find it. The night is full possibilities, with so many lovely things awaiting them, like untold adventures, and an unlimited mouse-sized pantry – but there is only one star, and both little mice want to make a wish.

9781845067809_2_Z

How will they decide who gets to choose the wish? And what happens if someone gets to the star before them?

‘The Wishing Star’ is a book about friendship, which carries with it important message of not letting little things get in the way of what really matters. Unlimited pantries and adventures forgotten, the two little mice realise that what really matters is that they have each other, and other friends they meet along the way, which is more than anyone could ever wish for.

This book would serve as a good bedtime read to share with younger children, with a good amount of dialogue allowing for adults to express their own creative flair by choosing voices for the various characters. It would also work well as an introduction to reading for those children who are setting off for school this autumn – the charming illustrations, and a simple, thoughtful storyline providing a perfect stepping stone to discover the joys of reading by yourself.

‘Copycat Bear’ by Ellie Sandall

I was drawn to this book by the illustration on the front cover; there was something vaguely nostalgic about the big, scratchy blue bear that seemed to pull on a distant childhood memory and invite me back inside. Who am I to try and resist?

This book is short and sweet, so I will try and keep my review so.

51SyCGypwyL._SY442_BO1,204,203,200_

Mango is little bird with a big attitude, and an even bigger best friend – Blue the bear. The two make an amusing pair, one big, trundling and blue, the other small, swift and orange, but Blue doesn’t seem to care. No matter what Mango does, he always tries to copy her. Whether it’s jumping from branch to branch in the tropical trees or attempting to sing a jungle ditty – he even pretends that he can fly!

Mango cannot stand it!

b0ad8e21f7e0a39d5900bd5a65f96b89

When it all gets too much, Mango flies off in a huff – knowing at least Blue can’t follow. But it doesn’t take long before she starts to feel lonely… Where is her copycat bear?

‘Copycat Bear’ is a story of that celebrates friendship, while teaching an important lesson about tolerance and understanding. It reminded me slightly of Rainbow Fish’ – a firm childhood favourite of mine – both in the colours and imagery used, and it its attempt to reflect the importance of kindness and empathy.

The effect is quite something; at times I felt more than a little sorry for Blue.

Thank goodness for happy endings.

7887b69db4350b8379ea41c8e0283986

Like all good picture books, ‘Copycat Bear’ is there for children to enjoy, with amusing anecdotes – like a bear attempting to fly – paired with beautifully captivating images, but also alludes to some important and valuable life lessons.

With this in mind there are two main messages running through the book that even young children can learn from. Firstly, that imitation is the highest form of flattery, and though copycats can seem annoying, they might just be the ones who love and respect us the most. But also, and perhaps most importantly, that being different is ok.

‘Under the Silvery Moon’ by Colleen McKeown

The perfect bedtime companion, this beautiful children’s book is soft, sweet, and magical.

So often it’s the words or images alone that make a children’s book, with the other standing in the side-lines paying an occasional well-placed compliment. This little book strikes the perfect balance between the two, with beautiful flowing words perfectly captured by magical, moon-dappled imagery.

9781845067588_L

“Around us swirls a summer song; it’s whispered through the trees.
The evening wind is blowing through the softly rustling leaves.”

The sun has set, and bedtime has long past, but one little kitten is struggling to sleep. Snuggled up in the hay lofts of a cosy wooden barn, the scene is perfect for slumber, but outside, animals are stirring, and the night-time noises fill the little ginger tom with fear.

Under the Silvery Moon is the softly sung lullaby of Mother Cat, as she guides her little one on a journey through the sounds of the night, stopping to visit each nocturnal creature along the way.

We pass the shadow-like figure of a fox, singing his night-time song, a happy trundling badger, barking with delight, a host of croaking frogs, bathing by the light of the moon, and snuffling, scurrying hedgehogs, out for a midnight snack.

Elsewhere, a mother duck snuggles with her ducklings, and other animals, tired from a busy day, get some well-earned rest – just as little kittens should.

Mother Cat’s soothing lullaby shows the night is full of noises, but none we need to fear.

Under the Silvery Moon is a calming bedtime read, perfect for settling any little one to sleep, the soft rhyming text and beautiful, dream-like illustrations paving the way for a sweet slumber filled with nocturnal adventures.

‘There’s a Bear on my Chair’ by Ross Collins

I’m a sucker for a book with rhyming couplets.

Rhyme offers so much opportunity to explore the written word in children’s books – archaic and dated words fit right into the flow of text, alongside nonsense terms and odd turns of phrase. In short, anything goes. Get the rhythm right and the rest will follow, children are sure to love a book that rhymes.

41hBmMwwSeL._SX496_BO1,204,203,200_

This book caught my eye in WHSmiths during one of my regular lunchtime strolls at work, and I decided to give it a read, sucked in by the triple rhyme in the title, and the furious mouse on the cover image. What’s his story?

It’s a simple book – but the simplicity is what makes it so excellent. Collins writes in rhyming couplets using only ‘Air’ words, and the result is quite delightful.

The story has a childish humour running through it that adults and children alike are bound to enjoy. A poor little mouse discovers a selfish polar bear sitting in his favourite chair, which simply is too small to share. The poor little mouse attempts all sorts of amusing tactics to shoo the bear (to make him go back to his lair), he gives him quite a nasty glare, he tries to tempt him with a pear, he jumps out in his underwear, but nothing works. The bear just simply does not care. You get the picture.

bearonmychair3B

In the end, the mouse gives up, being driven to the end of his tiny mouse tether by this big troublesome bear. He leaves his house, distraught and beaten, to find a new place to rest.

Once the mouse has gone, the bear, of course, gets up and walks home.

Here we find the delightful twist in the tail.

Spread4

I confess, I laughed. I laughed loud, and insisted that my colleagues give the book a read. Waiting patiently for the satisfied chuckle I knew was coming once they reached the end of the book.

It’s simple, but clever, and I really didn’t see it coming.

This book would be perfect for sharing with children, to help foster a love of reading from a young age. It’s no ‘Cat in the Hat’, or ‘Green Eggs and Ham’, but it does have a vaguely Dr Seuss-esque feel to it, in style, substance, and illustration – a winning combination that truly represents the power of the written word.

 

‘A Portable Cosmos’ by Alexander Jones

More than 100 years after it was first discovered, and following on from decades of research by scientists and theologians alike, author Alexander Jones reveals a new and unknown approach to understanding the mysterious Antikythera mechanism.

9780199739349

Since the dawn of society, mankind has striven to understand the forces that dictate history. Ancient Greeks found answers in fate, with shrouded white beings, known as the Moirai, depicted alongside the gods as the bringers of destiny.

It would be easy to suggest that fate was at play in 1901, when sponge divers off the coast of a small Greek island stumbled upon the ruins of an ancient shipwreck, which just happened to be one of the most important archaeological discoveries of all time.

The contents of the wreck, dating back as far as 60 AD, revealed untold wonders of the lives of the privileged in Ancient Greece. The vessel was laden with artistic masterpieces in the form of bronze and marble statues and intricate glassware and ceramics. Most important of all, though, was the unique Antikythera mechanism – the crumbling remains of an ancient gear-driven device, since dubbed the first analogue computer.

‘A Portable Cosmos’, written and researched by Professor Alexander Jones, from New York University’s Institute for the Study of the Ancient World, attempts to unpick the murky history of the Antikythera mechanism. The book presents the device as a gateway to the understanding of scientific thought in Ancient Greece, where the divine and the methodical were inextricably entwined.

Jones takes the reader on a journey through the various years of research into the mechanism’s background, as well as into the device itself, affording a glimpse beneath the corroded surface and into the interior gears and cogs.

Since its discovery more than 100 years ago, scholars and scientists have dedicated years of research to uncovering the secrets hidden beneath the mechanism’s corroded exterior. The symbols, writings, gears and cogs uncovered by years of investigation have revealed that the mechanism is some kind of advanced astronomical calculator, with dials given over to tracing cycles of time and the movements of the sun, moon and planets.

Various theories have arisen as to the machine’s true function, with it being labelled as both an astrolabe and a planetarium at various stages throughout the 20th century. It was not until Derek de Solla Price began researching the object in the 1950s that the word ‘computer’ arose and with it the idea that the device could have been used to determine certain predictions and calculations.

For Jones it seems unlikely that the mechanism was created to compute data in any practical way, but rather, was more likely created as a reflection of certain beliefs and aspirations in Ancient Greece. Navigational and other purposes would have been much more easily supplied by other, cheaper means, whereas the range and breadth of information expressed by the mechanism is far and beyond the realms required by any merchant ship.

Instead, Jones poses the idea that the device may have served as vessel for teaching the ‘educated layman’ how astronomical phenomena were interwoven with the natural and social environment. Take a glimpse at Ancient Greek texts and one can see the presence of mechanical thought within the understanding of astrological forces. Vitruvius described the heavens themselves as spun about mechanically – viewing astrological revolutions as driven by a system of invisible, interlocking parts. For some, this theory went further, into the very nature of fate itself.

Within the Antikythera mechanism, each astrological and chronological function had a rich context in Ancient Greek life and as such serves as the perfect gateway to understanding astronomy and scientific technology within society at the time. Just as fate and serendipity fascinated and guided the hands of ancient scholars, so too has it dictated the journey of the Antikythera mechanism, from a corroded piece of rubble to one of the most important discoveries of modern times.

This review was first published online for E&T magazine

‘What to do when machines do everything’ by Malcolm Frank, Paul Roehrig and Ben Pring

There are plenty of predictions out there for what a future world filled with artificially intelligent machines might look like, from utopian visions of technological miracles and marvels, to dystopian predictions of man enslaved by robotics. In a world where such systems are becoming the norm, how do these visions relate to reality?

9781119278665.pdf

Last week, I was struggling with a problem with my hard drive when a member of IT came over to help. He saw a book, ‘What to Do When Machines Do Everything’, lying on my desk and smiled. “What will we do?” he asked, “go on holiday!” I countered this argument quite quickly – “but you won’t have a job, how will you afford to go on holiday?” I asked. “When machines do everything, everything will be free,” he assured me.

It’s a nice thought, but perhaps a little optimistic.

Whatever your opinion on artificial intelligence and automated machinery, there is no doubt that these products and systems are now a reality. The last few years have seen many intelligent systems escape from the experimental cages of the past, outgrow industrial testing labs, and enter the world of work. For some, that’s exciting, for others terrifying, but for all, it’s inevitable. This new publication from Wiley, written by thought leaders from IT services company Cognizant, takes a closer look at the rise of intelligent machinery and robotics within the industrial sector, to analyse how such systems are revolutionising the world of work, and how businesses and industries can ensure they make the most of the situation.

As leaders of Cognizant’s Center for the Future of Work, authors Malcolm Frank, Paul Roehrig and Ben Pring are well placed to discuss this subject. After three years of intense research, and no doubt a little bit of philosophical head-scratching, they have produced a book for thought leaders and business owners at all levels, which serves as an action plan for success in the new era of industrial production. This isn’t a look at what might happen in the next 25 years, they assure the reader, but rather an in-depth look at what will happen in the next five. It’s a book for those who want to make the most of the digital revolution, to help them to survive and thrive in a world where machines do everything.

According to the authors, we are living in a time of the ‘know-it-all’ business – brought on by systems of intelligence or ‘thinking machines’ – in which leaders and managers can and should have a continuous awareness of what is going on in the company’s operation. The primary means of the digital industrial revolution is data, a resource that is cheap to gather, cheap to distribute, infinite, unique, exponentially valuable, and as such far superior to those that came before. Data has the potential to transform workplaces and increase productivity, but must be handled carefully.

With this in mind, the authors encourage industry leaders to think practically. While it is OK to take inspiration from the Facebooks, Amazons, Netflixes and Googles of the world, it is important to remember the role of industry as fundamentally different from those companies born of the digital revolution. Complete digitalisation is an impossibility within industry, a sector which will always require processes, systems and factory floors. The key to success is in careful blending of digital and industrial.

Taken at face value, ‘What to Do When Machines do Everything’ is a helpful ‘how to’ guide to succeed in a world of automation, intelligent systems and robotics, which outlines what you should do, why, and what will happen if you don’t.

According to the authors, the good news, or perhaps bad news where my friendly IT technician is concerned, is that when machines do everything, there will still be plenty for us humble humans to do.

This review was first published online for E&T magazine