Daylight After a Century – George Jerjian

“Into the darkness they go, the wise and the lovely. ” ― Edna St. Vincent Millay

744832 (1)I first met George Jerjian last month at the London Book Fair. It was early evening, the time of day when notepads were slipped away and the drinks began to flow. Crates of beer and bottles of wine had appeared and ties were loosened with a satisfied sigh. We made our way around Olympia, stopping here and there to grab a glass and have a chat with this or that person whose books, or drinks, had caught our eye. It was over in the Armenian section that we ran into George who we got to know over a glass of fine Armenian brandy – The kind Winston Churchill favoured, or so I’m told.

Jerjian, who was born in Khartoum, Sudan, in 1955, has a rich family heritage that traces back to the former Ottoman Empire. When his paternal grandfather George Djerdjian left his hometown of Arabkir in Ottoman Turkey for the last time in 1907 he left behind a homeland which would never be the same again.

On 24 April 1915, Ottoman authorities rounded up, arrested and executed some 250 Armenian intellectuals and community leaders from Constantinople, marking the beginning of the Armenian genocide, the systematic extermination of Armenian subjects living within Ottoman Turkey at the hands the Ottoman Empire. In 1915 the Armenian Population of the Ottoman controlled region was reported to be approximately two million, by 1918 it is estimated that over one million had perished, with thousands more left homeless and without refuge, by 1923 virtually all of the Armenian population had disappeared.

The events of the genocide left Armenian areas of the empire completely devastated, assets were seized, property was demolished, and the historical monuments of the Armenian people were destroyed. Today, little remains of the Armenian society that once existed within the realms of the Ottoman Empire. Let us be thankful that when George Djerdjian left the Ottoman Turkey in 1907 he took a little piece of history with him.

Between 1900 and 1907 George Djerdjian took 240 photographs of his hometown of Arabkir and his college town of Erzeroum. For many years these photographs were stored in a grey steel box, dutifully following their owner, and his descendants, on their travels around the world. They travelled from Ottoman Turkey, to Egypt, Sudan, England and the United States. Now, a century after they first left Arabkir, they have finally emerged to see the light of day.

Jerjian explains how he came across the photos clearing out his elderly fathers flat; he found a ‘small treasure trove’ of artefacts and photographs. ‘In that box’ he says, ‘were close to about one hundred glass plates, photographs of Arabkir, my grandfather’s home town.’ The photographs were remarkable in that they were pre-genocide, taken of a time which has long been shrouded in mystery. It was fascinating, he said, to go into this world that has long since been extinguished.

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Daylight after a Century is the story of a photographer who was able to capture life in eastern Anatolia in the early 1900s. George Djerdjian took everyday pictures, he captured people, schools, churches, nature, and life – social life, political life, economic life, the lives of the people of Arabkir. These unremarkable pictures have become remarkable, in that they show a time before: ‘Before the great war, before the genocide, before the lights were turned out on a civilisation.’

The photographs depict a life, a community and a place, that has long been lost.

In the film accompanying Jerjian’s book Hayk Demoyan, the Director of the Armenian Genocide Museum-Institute in Yerevan, speaks of the importance of the photos not just for the family of George Djerdjian, but for all Armenians. The images, he says, serve as ‘pieces of a puzzle’ which glimpse into the life of the Armenian people before the genocide.

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The Armenians of Arabkir and Erzeroum had lived in the area for thousands of years; these pictures are not just a snapshot of life at the time, they are the some of the only remaining evidence of the last moments of an ancient civilisation which was about to become extinct.

These glass plates have traversed oceans and continents, countries and generations, and today after a century of darkness they have seen daylight.

It is extraordinary the distance the plates have travelled and the events they have lived through and emerged out the other side of, to tell the story, not just of George Djerdjian, but also the Armenian people of the Ottoman Empire. Daylight After a Century serves as a testament to a truly remarkable collection of pictures and a fantastic tribute to their photographer, who could never have known the significance his work would one day hold.

Some of my favourite fictional ladies, created by ladies

“Being a woman is a terribly difficult task, since it consists principally in dealing with men.” ― Joseph Conrad

Over the weekend #womeninfiction emerged on Twitter, so in running with the theme I’m here to share with you a few of my favourite fictional ladies.

Renée Michel

The Elegance of the Hedgehog – Muriel Barbery.

Elegance of the HedgehogRenée Michel is possibly my favourite literary lady of all time. She is a concierge, and self-confessed member of the lower class. Despite how she outwardly appears, she is in fact fantastically intelligent, but she knows her place, and sticks to it, stating that to be “poor, ugly and, moreover, intelligent condemns one, in our society, to a dark and disillusioned life, a condition one ought to accept at an early age”. Madame Michel prefers to lives a secret life, reading Russian literature in the privacy of her lodge while donning the air of a simpleton when speaking with the inhabitants of the apartment complex where she works.

In Renée, Barbery has created a fantastic female heroine for lovers of literature. I challenge anyone to read The Elegance of the Hedgehog and not feel themselves brimming over with admiration for the soft soul nestled within the prickly exterior of Madame Michel.

Petronella Brandt née Oortman

The Miniaturist – Jessie Burton

18498569Petronella is an 18-year-old Dutch girl whose family have fallen on hard times since the death of her father. She is married off to a wealthy merchant from Amsterdam, Johannes Brandt, but has a difficult time fitting into her new life. Petronella, who prefers to go by the name of Nella, attempts to be a good wife to her new husband, but is forever at the mercy of her stern sister-in-law Marin Brandt. Nella begins as a child, before all too quickly becoming a woman, when the crushing weight of her new family’s secrets is placed on her shoulders.

What is there to not love about Nella? In each stage of her growth she is simply delightful: innocent and charming, determined and strong, and finally, reliable and level-headed.

Jerusha Abbot

Daddy long legs – Jean Webster

9780141331119Jerusha Abbott, or Judy as she likes to be called, was brought up at the John Grier Home, an old-fashioned orphanage. At the age of 17, she find herself at a loose end, she has finished her education, and is no longer young enough to live in the orphanage without paying her way. Imagine her surprise when one of the John Grier Home’s trustees offers to pay for her to go to university. He will pay her tuition and also give her a generous monthly allowance; in exchange Judy must write him a monthly letter. Judy is told she will never know his true identity and must address the letters to Mr. John Smith, and he will never reply. Judy warms quickly to the trustee, gifting him the persona ‘Daddy Long Legs’, and writing warm, detailed letters each month. Judy dotes on her Daddy Long Legs, and, it appears, he on her.

Judy is an amazing character, gifted with the unique opportunity to turn her rags to riches. Read Daddy Long Legs and I’m sure you will find, too, that you fall in love with the little orphan girl and her extraordinary tale.

Geogianna Lennox

Dead and Buryd – Chele Cooke

dfw-cc-dab-cover-mid (2)Georgianna Lennox is a local medic on a foreign planet ruled by alien invaders, the Adveni. The native people, the Veniche, to whom Georgianna belongs, have become slaves in their own home. Georgianna is somewhat unique among the Veniche as her work allows her to tread within the realms of the Adveni forces, treating the sick and injured within the walls of the infamous Lyndbury prison. For Georgianna this is a way of treating her lost people, but it is not enough. When Georgianna’s friendship with a group of rebels risks putting her own freedom at stake, she is faced with a difficult decision – what will she choose to put first, her family or the freedom of her people?

Georgianna is a strong, determined character, but one I felt extremely comfortable getting to know. Cooke has created a character that is admirable, but also wonderfully human. I found her to be amazingly likeable and funny, despite her hard exterior.

Edwina

Now the Day is Over – Marion Husband

9781908381811-frontcover (2)Are you sick of me talking about Edwina yet? If you are, shame on you, you clearly haven’t taken the time to read the book.

Edwina is the spirit of a young woman trapped between the  early 20th Century, and modern day Britain. Since her death she has lurked the shadows of her former home, critically analysing those who take residence within the walls. In Now the Day is Over she takes the form of super-omniscient narrator, haunting the house which was once hers, commenting on the lives of the adulterous couple who reside within her domain, comparing their existence to the life that was once hers.

I love Edwina because she is so all encompassing. She is deliciously genuine, admirable, maddening, terrifying and somewhat detestable all rolled into one.

Intrigued by any of my lady loves? You know what to do.

Children’s book review tour! Line of Fire: Diary of an Unknown Soldier – Barroux

“In all my dreams, before my helpless sight, he plunges at me, guttering, choking, drowning.”  ― Wilfred Owen

Line of Fire: Diary of an Unknown Soldier – Barroux

51QTsd1WFBL._SY344_BO1,204,203,200_There was never any question of including this book on my tour list. Before I had even received the book I knew that I loved it. Line of Fire: Diary of an Unknown Soldier is exactly what the title implies; the diary of an unknown soldier.

One winter’s morning, Barroux was walking down the streets of Paris when he passed a house which was being emptied of rubbish; piles of old belongings, wrappers and refuse had been placed in the street. ‘We are emptying the basement. Help yourself if you like’ he was told by one of the people ferrying rubbish onto the street. It was at this point that Barroux picked up an ageing yellow diary from amongst the rubbish. A diary which belonged to an unknown soldier serving during world war one. Barroux took the diary and from it created Line of Fire, a graphic novel depicting the words written by an unknown French soldier…may his words never be forgotten.

This book was such a find! I’m over the moon to have discovered it, read it, and to have a copy of my own.

The illustration style fits so perfectly with the subject; you can almost imagine the soldier himself drawing them. They are simple, almost childish, yet graphic, as though they have been scratched with a piece of charcoal salvaged from the embers of long extinguished fire. They remind me, in some ways, of images I have seen drawn by soldiers on the front line. Although the sketches undoubtedly carry Barroux’s distinctive style, there is much in the way of reality present in the scenes. I am reminded of the images in A Soldiers Sketches Under Fire by Harold Harvey – real images sketched by a soldier on the front line.

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It feels strange to review the words of a man when I know nothing about him. Although Barroux is listed as the author of the book, the words belong to the Unknown Soldier. They are exactly as they were found, although in the case of my copy they have been translated into English from their native French. They are powerful words, and although it does not take long to read the book, the effect of the story is far reaching and potent.

The Unknown Soldier speaks of the things which are sure to have plagued any man on the front line of WWI. His fatigue, it is crippling, and he feels dead on his feet – ‘My feet are bleeding, My legs can no longer hold me up. This isn’t a man who’s walking but a sheep following the flock.’ He is never able to rest for more than a few hours before being aroused, often in the dead of night, to move on to the next place. He takes to sleeping on piles of straw, where they are available, next to his companion Fernand, sleeping close together for warmth, and, I expect, comfort.

Our Soldier worries about those he has left behind. He is so worried, plagued by worry each time he receives no word from home. It is moving to see the worry from the other side. It is well known that those that are left behind will worry about their father, brother, son, or husband who has gone away to fight, but the soldiers words show that the worry tortures him equally. ‘The women weep. It’s up to us to show that we’re stronger than they are and convince them that we will return.’ When he does hear news his release is evident, as though he has let out a deep breath of relief; ‘at last I receive some postcards from my dear wife’.

The horror of war is also painted on the pages of the diary, not so much in Barroux’s drawings, but in the soldier’s words. The words are not complicated or flowing, but to the point, and powerful – you can smell the gunpowder, hear the crackle of artillery fire, and see the horrors that the Unknown Soldier scrawls within the pages of his diary. ‘This is where a powerful shell landed on a platoon of the 6th company, which was partially destroyed’ he writes, having seen the remains of a soldiers leg hanging from a tree branch.

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The Unknown Soldier seems to have made a narrow escape from the horrors of war, although no one knows now anything about the man who kept this diary.  He writes of being injured while forced to advance under the eruption of overhead shrapnel, and of the bravery of a fellow soldier, without whom he may not have survived. ‘While he’s bandaging my arm, the shells continue to rain down on us. I shall never forget the devotion of this soldier who didn’t think twice about risking his life, staying close in order to tend to me.’

Once out of the line of fire, he is faced with a lengthy journey to a hospital, all the while in indescribable pain, and with a raging fever which forbids him rest and sustenance. It is once he arrives at hospital, and his fever begins to subside that he is faced with another, unimagined issue – boredom. For a week we hear nothing of the Unknown Soldier, and then, he writes of his boredom, the slowness of the days, his heavy heart, and his feeling that life is carrying on all the same outside of the hospital walls.

‘Sometimes I’m sorry I didn’t stay in the line of fire’ – and with these words the Unknown Soldier’s story ends.

Line of Fire has left me feeling such a strange mix of emotions, with so many questions running through my mind. The power of the Unknown Soldier’s last words are incredible, and only made more so by the fact that he, undoubtedly, never expected anyone to read his diary. Who was this man? And why did he stop writing? Questions I will find myself often asking, and will never know the answer to.

I would recommend this book to almost anyone. Even if you don’t feel drawn to Barroux’s illustrations the power of the Unknown Soldier’s words will not fail to captivate. History students, WWI fanatics, children and adults alike, this is a lesson in history, and an important one at that. Read it and pass on the recommendation.

“I get up and pace the room, as if I can leave my guilt behind me. But it tracks me as I walk, an ugly shadow made by myself.” ― Rosamund Lupton

Now the Day is Over ― Marion Husband 

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‘In my more lucid moments I know I’m dead…’ So begins Edwina’s story, a woman whose spirit remains, long after her body has decayed, trapped in the house she once inhabited. In Now the Day is Over, Edwina serves as the narrator of two stories, set in two time periods, before and after her death.

Edwina grew up in early 20th century Britain, and lived a life which spanned across the First World War. In her narration Edwina reveals her childhood, through her adolescence to her time spent serving as a wartime nurse, and later when she becomes the wife of a soldier. Through her words we learn of an unusual gift that Edwina possessed; a deep rooted empathy, the ability to sense a person’s deepest desires, which earned her a somewhat sinister reputation.

Later, in modern day Britain, Edwina takes the form of super-omniscient narrator, haunting the house which was once hers, commenting on the lives of the couple who now reside within her domain. Gaye and David Henderson are an unhappy, adulterous couple whose lives are plagued by guilt over the death of their young daughter, Emily. Through her narration, Edwina tells the story not only of Gaye and David, but also of herself, gradually revealing the horrors which tie her to the earth, as Gaye and David are tied to the past.

This was my first experience with Husband’s work, and I was completely blown away by the effect it had on me. The story itself combines two of the things I love the most; historical fiction set between the past and present, and ghost stories. I love ghosts. There is almost nothing I love more than to curl up on a dark night and indulge in ‘real’ ghost stories submitted to the likes of castleofspirits.com and reddit.com/nosleep.

we need youWhile Now the Day is Over is not a ghost story in the traditional sense Husband is still able to give the house the domineering, omniscient, icy coldness expressed by those living is ‘haunted’ houses. Gaye and David often shiver, the cat hisses and the house seems devoid of life, cold, sterile. Even the garden is tainted; Edwina’s memories of the old plum trees planted by her brother and her the year before the war carry an ominous undertone, as though the plum trees embody some kind of darkness, a living representation of the guilt which holds Edwina’s soul. And when Edwina discovers that the trees remain only in her memory, the ‘smudge’ which they carry remains in the back corner of the garden, silently watching, spoiling the scene.

Edwina’s presence in the house is significant, not only in the grief which she represents but also in the power she possesses as a narrator. David and Gaye cannot see Edwina, and this allows her to accompany them on their most personal journeys; she is able to sit with David while he bathes – ‘I touch his knee that breaks through the water, wanting to calm him.’ – and accompany Gaye to a hotel to meet her lover. But Edwina is able to do something more than just see the characters at their most vulnerable – she has carried through to her death her insight into the minds of others. As a narrator she has the ability to tell exactly how someone is feeling and what they are thinking. This gives the reader an eye into the very soul of the characters.


‘I go upstairs, to the empty attic to rattle around in the cold and dim dusk like a good ghost. I need to be alone sometimes, without the distraction of the living and the belongings they surround themselves with.’


Through Edwina’s soothing narration Husband draws the reader deep into the pages of Now the Day is Over. I was completely drawn into the storyline, desperate to discover the circumstances which prohibit Edwina from moving on, as well as to uncover the circumstances of Emily’s death. The climax does not come until very late in the book. Gaye and David keep their cards close to their hearts, slowly releasing allusions to their daughter’s death; they think of Emily often, but do not talk about her.

Eventually each character is absorbed into the tension which has so slowly built up and, completely overwhelmed by grief, makes their confession. When they begin to tell their stories their grief rushes forward in an unstoppable stream, until their words are mixed and their stories combined, with Edwina frantically flitting between the two scenes, retelling the tragic tale of Emily’s death.

Edwina’s life was steeped in death. It seems only natural that her death should be the same – a house haunted not only by Edwina herself, but the ghost of grief which follows Gaye and David. Edwina takes the form of the personification of Gaye and David’s guilt, a black cloud hanging over the family, the memory which taints their futile attempt at a fresh start. Ignoring her presence will not make her leave; it takes Gaye and David’s attempt at positive steps to move on to make the shadow of Edwina begin to fade away. It seems fitting that the book finishes with the planting of new plum trees. Fresh saplings, to commemorate a life lost, and to represent the start of a new beginning, one in which the guilt has gradually begun to fade.Plum-trees_from_South-Hungary

I enjoyed every single moment of Now the Day is Over, and do not feel I can fault it in the slightest. The intricate storyline, complex characters and stunning language combine to create a truly remarkable novel. Before beginning my review I sat down to flick back through the pages of the book to get my creative juices flowing and was instantly drawn back in. I really had to fight to stop myself reading it all over again. As much as I’d like to, there isn’t the time right now.

Special thanks go to Sacristy Press for supplying me with a free copy of Now the Day is Over in return for an honest review.