‘A Portable Cosmos’ by Alexander Jones

More than 100 years after it was first discovered, and following on from decades of research by scientists and theologians alike, author Alexander Jones reveals a new and unknown approach to understanding the mysterious Antikythera mechanism.

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Since the dawn of society, mankind has striven to understand the forces that dictate history. Ancient Greeks found answers in fate, with shrouded white beings, known as the Moirai, depicted alongside the gods as the bringers of destiny.

It would be easy to suggest that fate was at play in 1901, when sponge divers off the coast of a small Greek island stumbled upon the ruins of an ancient shipwreck, which just happened to be one of the most important archaeological discoveries of all time.

The contents of the wreck, dating back as far as 60 AD, revealed untold wonders of the lives of the privileged in Ancient Greece. The vessel was laden with artistic masterpieces in the form of bronze and marble statues and intricate glassware and ceramics. Most important of all, though, was the unique Antikythera mechanism – the crumbling remains of an ancient gear-driven device, since dubbed the first analogue computer.

‘A Portable Cosmos’, written and researched by Professor Alexander Jones, from New York University’s Institute for the Study of the Ancient World, attempts to unpick the murky history of the Antikythera mechanism. The book presents the device as a gateway to the understanding of scientific thought in Ancient Greece, where the divine and the methodical were inextricably entwined.

Jones takes the reader on a journey through the various years of research into the mechanism’s background, as well as into the device itself, affording a glimpse beneath the corroded surface and into the interior gears and cogs.

Since its discovery more than 100 years ago, scholars and scientists have dedicated years of research to uncovering the secrets hidden beneath the mechanism’s corroded exterior. The symbols, writings, gears and cogs uncovered by years of investigation have revealed that the mechanism is some kind of advanced astronomical calculator, with dials given over to tracing cycles of time and the movements of the sun, moon and planets.

Various theories have arisen as to the machine’s true function, with it being labelled as both an astrolabe and a planetarium at various stages throughout the 20th century. It was not until Derek de Solla Price began researching the object in the 1950s that the word ‘computer’ arose and with it the idea that the device could have been used to determine certain predictions and calculations.

For Jones it seems unlikely that the mechanism was created to compute data in any practical way, but rather, was more likely created as a reflection of certain beliefs and aspirations in Ancient Greece. Navigational and other purposes would have been much more easily supplied by other, cheaper means, whereas the range and breadth of information expressed by the mechanism is far and beyond the realms required by any merchant ship.

Instead, Jones poses the idea that the device may have served as vessel for teaching the ‘educated layman’ how astronomical phenomena were interwoven with the natural and social environment. Take a glimpse at Ancient Greek texts and one can see the presence of mechanical thought within the understanding of astrological forces. Vitruvius described the heavens themselves as spun about mechanically – viewing astrological revolutions as driven by a system of invisible, interlocking parts. For some, this theory went further, into the very nature of fate itself.

Within the Antikythera mechanism, each astrological and chronological function had a rich context in Ancient Greek life and as such serves as the perfect gateway to understanding astronomy and scientific technology within society at the time. Just as fate and serendipity fascinated and guided the hands of ancient scholars, so too has it dictated the journey of the Antikythera mechanism, from a corroded piece of rubble to one of the most important discoveries of modern times.

This review was first published online for E&T magazine

‘Infinity: A Very Short Introduction’ by Ian Stewart

Infinity is all around us. It helped to send man to the moon and underlines the very basic principles of mathematics, but remains a hugely misunderstood concept.

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Picture this: I have a hotel and infinite number of rooms, all of which are occupied. If a new guest were to turn up wanting a room for the night, how could I accommodate them? If you don’t already know the answer to this, then the latest release Oxford University Press’ Very Short Introduction series is sure to be of interest. ‘Infinity: A Very Short Introduction’, by Ian Stewart is, somewhat paradoxically, a quick and simple introduction to what is, quite literally, the biggest subject ever. Intrigued? Read on to find out more.

Let’s get back to my hotel and the matter of how I might accommodate this new and troubling guest. If I had a hotel with a finite number of rooms, the poor chap would be out on his ear, but a hotel with an infinite number of rooms is much more flexible. Instead, I simply need to move the guest in room one to room two, and the guest in room two to room three, and so on, so that each guest has been moved from his current room n, to n+1. Once each guest has been moved, room one will be empty and free to accommodate the new guest.

Confused yet? The hotel’s skills don’t stop here. If in an infinite number of new guests turned up I would also be able to accommodate them. To do this, I would simple need to move the person in room one to room two, and the person in room two to room four, and three to room six, and so on, until each odd numbered room (of which there are an infinite amount) is empty, and ready to be filled by the new guests. I could go on and try to explain how an infinite number of coaches each filled with an infinite number of guests could be accommodated, but my head is starting to hurt.

This hotel, hypothesised by German mathematician David Hilbert in 1924, goes to illustrate the counter-intuitive nature of infinity, by showing that infinity plus one, and infinity plus infinity, are both equal to infinity. More than this, though, Hilbert’s infinite hotel paradox highlights that infinity is paradoxical, so don’t be put off by the paradox of a ‘short’ introduction to a huge subject because when you think about it, illogically it starts to make sense.

Unlike infinity itself, infinity as a concept does have a beginning: it was first hypothesised by Anaximander, a pre-Socratic Greek philosopher from around 580BC. He used ideas of infinity, what he called ‘apeiron’, in the search for the origin of life. Since this time, countless philosophers, theologians, psychologists and mathematicians have delved into the black depths of infinity in search of meaning and explanation.

It might seem strange to think so deeply about a concept that we never physically encounter, but infinity actually comes into play in far more situations than you might imagine. Stewart highlights the example of 1/3 expressed as a decimal – 0.33333 recurring. The recurring number of the decimal goes on forever – it is infinite. In the same way, ideas of space and time are often thought of in terms of infinity, as, of course, are numbers. In fact, infinity has an intrinsic role in all manner of subjects – it underlines the very basis of calculus, has taken man to the moon and is used by mathematicians every day.

Infinity is not a thing, it is a concept, a way of understanding tangible things, and, as Stewart goes to highlight, has a very important role to play. The pattern-seeking nature of the human mind dictates that is preferable, or perhaps easier, to think of certain things as infinite than in attempting to think of a boundary. The mere mention of time having a ‘beginning’ will bring up the question of ‘what came before?’. ‘Nothing’ is an incomprehensible answer.

With ‘Infinity: a Very Short introduction’, Stewart has taken an interminably complex subject, and condensed and contracted it to something reasonably manageable – just reasonably, mind, not entirely, as this is infinity we are talking about. The book introduces puzzles and paradoxes, debunks common misconceptions and explores infinity as a concept in both the natural and theoretical world. The sheer wealth of information is at once fascinating and a little terrifying.

If you’ve ever been struck by the question of what lies at the end of infinity, are baffled by the idea of never ending time or space, or just want to read something that is bound to twist your mind in crazy directions, then this is the book for you.

This review was first published online for E&T magazine

The Age of Em – Robin Hanson

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Ever wondered what a world inhabited almost entirely by intelligent machines might look like? Or even, what smart robots might look like and what their uses, design, attitudes, strengths and weaknesses could be? If any or all of these questions are in the back of your mind, then The Age of Em could be just the book you are looking for. In this revolutionary new publication, economist Robin Hanson combines existing theories in physics, computer science and economics to create a realistic vision of a world dominated by robots.

Each day, advanced reports emerge of experiments in how artificial intelligence and robotics is revolutionising the way we live our lives, but the realisation of a truly intelligent machine still seems far over the horizon. What kind of robots could equal the actions of a human being? Hanson looks to the robotic brain emulation, or ‘em’ as a solution for a truly intelligent machine. The premise is simple enough; take a detailed scan of a human brain and then build a computer model that processes signals in accordance with the same characteristics as the brain. The result is a robotic brain, which can be trained to carry out tasks in the same way as a human baby.

A single brain emulation can be copied thousands of times, creating a literal army of robotic workers with human-like intelligence. The Age of Em serves as an in-depth portrayal of a future where this has become a reality –  ems are the norm and cities, streets, transport and leisure are all designed around these new inhabitants. The era of the em is as different from our own today, as we are from the lives of the farmers and foragers who came before us. Progress has changed once again, with further steps towards efficiency, rendering previous assumptions about life more or less redundant. Moral progress no longer holds such an important position at the forefront of society, with ems, the new master race, rejecting many of the values we hold dear.

It’s a strange world and one which many of you may find unsettling, but is no different than our present lives are from the eras that came before us. To most of us, our lives today may feel preferable to the work-intensive existence of our ancestors, we may even enjoy living as we do today. The em era is no different; it feels good to be an em.

Hanson’s work is revolutionary, not in what it says, but how it attempts to say it. While the majority of previous literary presentations of a world ruled by machines are firmly rooted in the realms of fiction, this text is hard-core theory, attempting to create a realistic image of what a world inhabited by future technology would look like.

Let’s not attempt to flatter the author or reassure the reader by saying that The Age of Em is an easy book to read. It most certainly is not. Those with little experience of economics, physics or computer science may well feel as though they are traversing a figurative Everest of text, but once over the peak, the expedition feels more than worthwhile.

This review was first published on WordPress for E&T magazine