World Book Night – Amazon freebie!

In celebration of World Book Night I have teamed up with author N Caraway to offer you all the chance to read his novels for free on your kindles.

World Book Night is an annual celebration of reading and books that takes place in the UK on 23 April. Across the country volunteers give out hundreds of thousands pre-chosen books in their communities to share their love of reading with people who don’t own books or are unable to read regularly.

This years book list has some cracking reads on it – check out the World Book Night website for more information, and to locate participating venues.

And for those of your who can’t participate in any of tonight’s events head on over to Amazon, or Amazon UK, and grab yourself a free ebook to sink your teeth into instead.

Click on the book covers to get yourself a copy.

The Manneken Pis

maneA lonely old man is living out the last days of his life in Brussels, a city that alternates between small-town non-entity and extreme surrealist quirkiness, symbolised by the famous statue of a small boy urinating. Increasingly confused by the effects of a heart attack, he tries to find meaning in one last rational act of kindness before he dies.

Set in the capital of a rapidly ageing Europe, the second novel by N Caraway is a tragicomic study of solitude and growing old that also provides a surprising new take on the theme of the classic Frank Capra movie ‘It’s a Wonderful Life’.

The Humanitarian

51W+tDMNtgLAfter decades of civil war a peace deal is in the offing for the ravaged land of South Sudan, where the United Nations and a plethora of non-government organisations have come together to deliver emergency aid to the thousands of displaced and homeless people scattered in camps and villages across the vast wilderness of swamps and scrubland.

Richards is a UN official on his final mission, leading a small team to a remote region. For him it is not just the war which is ending, but the world he has come to inhabit. Detachment and isolation from all that is around him begin to take hold and memories of another life threaten to break through the thin walls he has built around himself. As he sinks deeper into inner darkness a chance meeting with a young priest seems to offer the hope of a way back to belief in humanity and meaning, but the road is rough.

Author spotlight and Goodreads giveaway ― N Caraway

“Let us learn to show our friendship for a man when he is alive and not after he is dead.”  ― F. Scott Fitzgerald

I am currently helping to host a goodreads giveaway on behalf of my good friend and author N Caraway.

10409674_1437375683175728_2270036257601865586_nN Caraway was born in Cambridge in 1957 and studied at Cambridge University, where he read mediaeval and modern languages, specialising in Dostoevsky and Latin American literature. Before going to university he worked as a volunteer teacher in a rural school in Kenya, an experience which eventually set the course of his life. He has worked for a variety of development agencies mostly in Africa and Asia.

In 2002 he moved to Nairobi to work for the United Nations in South Sudan. This was during the last years of the conflict between government and rebel forces of the Sudan People’s Liberation Army. The UN operated a relief operation by air, using a network of small landing strips spread across a vast landscape without roads or electricity. This landscape provides the background for his first novel, The Humanitarian.


maneThe Manneken Pis

A lonely old man is living out the last days of his life in Brussels, a city that alternates between small-town non-entity and extreme surrealist quirkiness, symbolised by the famous statue of a small boy urinating. Increasingly confused by the effects of a heart attack, he tries to find meaning in one last rational act of kindness before he dies.

Set in the capital of a rapidly ageing Europe, the second novel by N Caraway is a tragicomic study of solitude and growing old that also provides a surprising new take on the theme of the classic Frank Capra movie, It’s a Wonderful Life.

N Caraway’s second novel, The Manneken Pis is set in Brussels, and inspired by the grotesque pageantry of the Balloon Day parade. Caraway’s protagonist, Harold Cumberlidge, suffers a heart attack after having the ‘monstrous calamity’ of a balloon fashioned to resemble the urinating Manneken Pis collapse on top of him. The event causes Harold to take a closer look at life; he begins to question his significance and that of the Europe which surrounds him. Then, befriended by an unlikely pair of characters, one of whom introduces himself as Harold’s ‘Guardian Angel’ in a scene that inevitably harks back to James Stewart contemplating suicide in Capra’s film, Harold becomes increasingly unhinged, as he obsesses over his own mortality. By the end of the novel it is up to the reader to decide for themselves exactly who, or what, is real.

The Manneken Pis serves as an analysis of the lonely life of an ageing EU bureaucrat. Harold Cumberlidge is an interesting character; a strange mix of old-world charm and grumpy bastard, who the empathetic reader will find themselves warming to very quickly. The extent to which Caraway delves into the inner workings of Harold’s increasingly frazzled mind makes one feel that the thoughts and musings of the character may be at least partly based on the authors own life experiences.

Caraway’s descriptions of Brussels, of Harold’s mindset, and the characters which surround the story are intricate, developed and well rounded. He really has a talent for descriptive writing, which shines through to the very smallest detail. Every part of the book is told as if you are the eyes within Harold’s head, down to the horrifying image of the Manneken Pis looming down on Harold, causing the heart attack which sets the rest of the book in motion:

‘There was a blinding flash as the sun caught his unguarded eyes full on and then the monstrous calamity of a giant figure tumbling down towards him, grotesque in its nakedness, leering and obscene, a gigantic naked child, milk-chocolate brown as though fashioned from an enormous turd, a canine crotte from the sullied urban pavements galvinised into monstrous life, plunging headlong down to smother him…’

The effect of description in Caraway’s prose, down to the very smallest thought which flits through Harold’s mind, is such that by the end of the book you really feel as though you know Harold on a personal level.

The story is intricate, touching and incredibly thought provoking, and touches on several exceptionally deep subjects, the most notable of which is the recognition of one’s own mortality. Caraway’s second novel is equal parts sadness and humour, which will leave the reader with several questions hanging in their minds and a deep feeling of empathy towards their fellow man.

There are four copies of The Manneken Pis up for grabs, Goodreads users can enter the giveaway by clicking here. The giveaway will run until the 2nd March.


The Humanitarian

Caraway is also offering review copies of his first novel The Humanitarian, which was featured on Jade the Obscure last summer.

51W+tDMNtgLAfter decades of civil war a peace deal is in the offing for the ravaged land of South Sudan, where the United Nations and a plethora of non-government organisations have come together to deliver emergency aid to the thousands of displaced and homeless people scattered in camps and villages across the vast wilderness of swamps and scrubland, where rogue militias, cattle raiders and bandits roam. Richards is a UN official on his final mission, leading a small team to a remote region. For him it is not just the war which is ending, but the world he has come to inhabit. Detachment and isolation from all that is around him begin to take hold and memories of another life threaten to break through the thin walls he has built around himself. As he sinks deeper into inner darkness a chance meeting with a young priest seems to offer the hope of a way back to belief in humanity and meaning, but the road is rough.

To read the review click here.

There are another four copies of The Humanitarian available to lucky winners, Goodreads users can enter the giveaway by clicking here. This giveaway will also run until the 2nd March.

While you’re at it why not visit him on Facebook and Twitter.

“Scratch any cynic and you will find a disappointed idealist.” ― George Carlin

The road is rough

The Humanitarian – N Caraway

This month I have the pleasure to present to you a book I’ve been involved in re-releasing as well as reviewing –The Humanitarian. If you like the review then please head on over Amazon where the new edition is available to purchase on kindle and as a paperback.

51W+tDMNtgL

N Caraway was born in 1957 and grew up in a picturesque village in rural Cambridgeshire. In 2002 Caraway and moved to Nairobi, Kenya, and began working for the United Nations in South Sudan, experiencing the country during the final years of the Sudanese civil war. This experience sets the background for his first novel, The Humanitarian, which was published in 2012. There is little further information available about Caraway’s working life up to this point, but the flavour of the text gives a clear impression that this has been written by someone who has dedicated his life to working in places like those he describes and has, like so many others (Paul Theroux springs to mind), come to question the validity of what he and others like him are doing.


Through an ageing diary found abandoned in a B&B bedroom Caraway introduces the reader to Richards, an ageing United Nations official, beginning his final mission to a remote region in South Sudan. Richards is a troubled man who, as he draws closer to a life outside the bureaucracy of development, finds himself beginning to doubt his significance in the world of which he is a part. Feelings of detachment give way to memories of times long past, and almost forgotten. As his isolation deepens, so too does his despair in humanity, and his past threatens to crumple the carefully constructed cocoon of security within which he has encased himself. As the mission draws on, and Richards slips further and further into an abyss of isolation and self loathing, the chance of redemption arises in the form of an unlikely friendship with a young priest. Will this meeting be the aid Richards needs to rediscover his faith in humanity, or is it already too late?

I found this piece to be a very insightful read. Caraway was able to sketch a remarkably vivid representation of the camp, the area, and the struggles through the eyes of the disillusioned Richards. Perhaps it sounds clichéd, but at times I felt as though I was there, in the rank, stifling heat of Richards’ tent, as he lay awake with only his thoughts for company.  The story sheds real, first person insight on the harsh and unforgiving environment of a war-torn landscape. Through Richards’ short diary, Caraway provides an insight into the inner workings of the UN, and the disillusionment felt by some of the aid workers at the core of the institution. As well as this, the book serves as an interesting analysis of the ideological implications involved in carrying out aid in remote areas which are not fully understood by the organisations involved.

Caraway’s medium serves as a live stream into Richards’ consciousness, as though Richards’ is projecting his mind onto the pages of his ‘yellow exercise book’.  Caraway’s style is very distinct and unique, using evocative language and long, somewhat rambling yet eloquent sentences which provide an insight into the inner workings of Richards’ despair riddled mind:

‘The date is a hard, concrete element in the swaying flux that has swallowed me up and made me disappear. I can hold onto it, like a shipwrecked sailor holding onto a lifeline, or like Theseus in the labyrinth holding onto the thread that will guide him out, a thread that started in Nairobi and led through Loki and then out here into the darkness beyond.’

Years spent working for institutions providing aid for struggling communities has left Richard disillusioned, he has become apathetic, someone who no longer believes in the work of development agencies. Caraway has told a story I’m sure many people involved in development research and humanitarian aid can relate to. He describes the moral doubt in the work of which he is part, the self-questioning and more than anything else the overwhelming feeling of impotence in the face of suffering – the relentless provision of spontaneous food drops, and crude privies in the hope that the effects of these short term solutions will carry through to the long term.

‘I let my eyes travel round the circle of blank faces. Who were these people, how far had they come, how long had they waited for us to show up, and what did they really think this strange meeting was all about? These people were the real mystery, doubly isolated by language, strangers even to the Sudanese. I doubted they would benefit from any relief supplies, in any case. The distributions took place down below at the airstrip and they never went down there.’

Linked to Richards’ disillusionment are the haunting thoughts of his past, which invade his sleeping, and waking hours. Through Richards’ eyes Caraway using incredibly evocative language, allowing the reader a very personal insight into Richards’ despair over past events. You get the impression that perhaps, as The Humanitarian is based, somewhat on real experiences, that these may be thoughts which the author actually experienced himself. As a reader you become absorbed by Richards’ self-pity and self-loathing:

‘How did you approach him, this person, strong or naïve, whatever he was, who, unlike you, did not wake up every morning with a curse in the very taste of the saliva in his mouth, who did not wish God, if he existed at all, might rip the entrails out of your belly, rip your flesh apart in any way he chose, do whatever he wanted so long as it would stop the dreams from coming, stop the memories, just switch off the images that tormented you, with no promise of eternity, just the peace of an endless dark sleep, just the switch going off and a deep slow sigh escaping from your breast into the air.’

Richards’ saving grace – if I can even call it that, as the book is left very much open ended – comes in the form of a kind stranger. In Father Severino, Richards’ finds a kindred spirit of sorts, a person to whom, for some reason, he feels as though he can pour his heart out. In turn Father Severino seems to understand where the roots of Richards’ feelings of despair lie. For Richards, father Severino represents someone outside of everything. Not a part of his team, or the villagers requiring aid. He is a mutual third party, a kind stranger, who is able to listen, and to understand, when Richards’ most needs it:

‘There was an excitement inside me that kept out the dark and anticipated the arrival of Father Severino in his landcruiser. It was not just the trip, but something more, something about the man himself and the thought that we would meet and talk and the sure knowledge that our talk would take us far beyond the desultory exchanges that were all I ever managed with my colleagues or with Simon.’

Overall I found The Humanitarian to be a very thoughtful provoking piece, which offers the reader an insight into the Sudanese conflict, and the repercussions surrounding this, as well as the inner working of the organisations responsible for providing aid to these places. The Humanitarian is an incredibly powerful read, which will leave the reader asking questions, and with a desire to uncover more.